Study of Tree Branches, John Singer Sargent, c. 1895 - c. 1916
John Singer Sargent, retratoJohn Singer SargentEstados Unidos, 1856–1925

Study of Tree Branches

c. 1895 - c. 1916 · Drawing

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Harvard Art Museums

Cambridge, Estados Unidos

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Número de inventario
1937.7.13.21

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Fuentes

Mientras tanto, en la vida de John Singer Sargent

La vida entera
  1. 1895–1919

    The “Triumph of Religion” murals for the Boston Public Library

    From 1895 through 1919, for almost thirty years, Sargent works on his largest-scale work, the mural decorations “Triumph of Religion” for the Boston Public Library, showing religion's progress from pagan superstition to the ascension of Christianity; he never completes the final mural of the cycle.

  2. 1898

    Asher Wertheimer commissions a dozen family portraits

    In 1898 Asher Wertheimer, a wealthy Jewish art dealer living in London, commissions from Sargent a series of a dozen portraits of his family, the artist's largest commission from a single patron; most of them, bequeathed to the National Gallery, are now on display at Tate Britain.

  3. 1905

    His first major solo show of watercolours

    In 1905 the Carfax Gallery in London holds Sargent's first major solo exhibition of watercolour works; in watercolours he is able to indulge his earliest artistic inclinations for nature, architecture, exotic peoples and noble mountain landscapes.

  4. 1907

    Closes his portrait studio

    In 1907, at the age of fifty-one, Sargent officially closes his studio, relieved: painting a portrait, he says, would be quite amusing if one were not forced to talk while working, entertaining the sitter and looking happy when one feels wretched.

  5. 1909

    The Brooklyn Museum buys 83 watercolours

    In 1909 Sargent exhibits eighty-six watercolours in New York City, eighty-three of which are bought by the Brooklyn Museum.

  6. 1916

    Sells “Madame X” to the Metropolitan Museum

    Sargent keeps “Madame X” prominently displayed in his London studio until he sells it in 1916 to the Metropolitan Museum of Art, after moving to the United States and a few months after Gautreau's death.

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