Spanish Dancer (Second State)

by 1882

His eyesight sharply worsens

By 1882 Degas's eyesight began to worsen sharply: he turned to pastel and then to sculpture, where he could rely more on touch.

1886

The eighth exhibition: pastel nudes, and the end of the group

At the last Impressionist exhibition Degas showed a suite of pastel nudes, which drew more critical writing than anything else in his lifetime, mostly laudatory. The group broke up, partly through rancour over the inclusion of non-Impressionists such as Forain and Raffaëlli.

after 1886

Into the shadows: he stops exhibiting

After 1886 Degas stopped exhibiting and sold his pictures at high prices through a narrow circle of agents. By the end of the decade he had in effect fulfilled his wish to be “famous and unknown”, withdrawing among close friends.

1890s

The Dreyfus Affair: a break with his Jewish friends

The Dreyfus Affair intensified Degas's antisemitism: by the mid-1890s he had broken with all his Jewish friends and refused to use models he thought might be Jewish; the affair also set him at odds with Mary Cassatt. He remained among the Anti-Dreyfusards until his death.

1912

A forced move, and the end of his work

In 1912 the impending demolition of his house on the rue Victor Massé, where he had lived for years, forced Degas to move to the Boulevard de Clichy; he apparently ceased working then, although he is known to have used pastel as late as the end of 1907 and is believed to have made sculptures until 1910. In his last years, nearly blind and unmarried, he wandered restlessly through the streets of Paris.

27 de septiembre de 1917

Died