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  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Sleeping Cupid
Sleeping Cupid, Francesco Fanelli, 1635-1640
Francesco Fanelli, retratoFrancesco FanelliItalia, 1577

Sleeping Cupid

1635-1640 · Sculpture · 11.1 × 12 cm

Sobre la escultura

Object Type

The bronze is signed underneath with a single F, while another version in a private collection in England is marked FFF, representing the sculptor's name and city of origin (Florence). The monogram was added in the wax before casting. This signed Cupid is rare and of high quality, but Fanelli's bronzes were reproduced in some numbers, of varying quality, even after his death.

People

Fanelli was born in Florence. He worked in Genoa, using marble, ivory and silver, as well as bronze, before coming to England in the early 1630s. Although he was said to have 'livd and dyd in England', it has sometimes been assumed that he left the country at the outbreak of the Civil War. The recent discovery of his baptismal records, revealing his birth date of 1577, make it more likely that he died around 1641, when he was last documented.

Time

Seguir leyendo

In the late 16th century, the sculptor Giovanni Bologna (1529-1608, active in Florence), and his followers were responsible for a significant output of sophisticated and high quality statuettes. These were dispersed throughout Europe and Charles I inherited a group from his elder brother, Henry, who died in 1612. They doubtless influenced both the King's taste and Francesco Fanelli's production.

Materials & Making

Bronze is an alloy of copper and tin, though its exact content can vary. Fanelli's 'bronzes' actually appear to be brass, which is a copper-zinc alloy, with a dark lacquer applied to the surface.

The lost wax method of casting is a complicated procedure that creates a bronze sculpture using a wax model taken from the original design. In Fanelli's workshop, waxes were cast in moulds taken from individual elements of the original, which could have been made of clay or wax. By assembling the wax sections slightly differently, Fanelli was able to produce variations of the same composition.

Museo de Victoria y Alberto

Ficha

Número de inventario
A.2&:2-1981

Más obras de Francesco Fanelli

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En la misma sala · British Galleries, Room 56, The Djanogly Gallery, Museo de Victoria y Alberto

Página del museo

Sobre el mismo tema · Cupid

Todas las obras sobre el tema

¿Se puede contemplar?

Sí, recibe visitas

Museo de Victoria y Alberto

Londres, Reino Unido

SalaBritish Galleries, Room 56, The Djanogly Gallery

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 13 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Lo que muestra

Cupid

En el catálogo

EsculturaBronceBarrocoSiglo XVIILondres

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
David and Goliath, Francesco Fanelli, 17th century cast

David and Goliath

17th century cast · Museo Metropolitano de Arte

Mercury and Cupid, Francesco Fanelli, late 1630s

Mercury and Cupid

late 1630s · Museo Metropolitano de Arte

Galloping horse, Francesco Fanelli, second half of the 17th century

Galloping horse

second half of the 17th century · Museo Metropolitano de Arte

Cupid on Horseback, Francesco Fanelli, 1632-1639

Cupid on Horseback

1632-1639 · Museo de Victoria y Alberto

A mounted Turk attacked by a Lion, Francesco Fanelli, ca. 1632-1639

A mounted Turk attacked by a Lion

ca. 1632-1639 · Museo de Victoria y Alberto

St George and the Dragon, Francesco Fanelli, 1632-1639

St George and the Dragon

1632-1639 · Museo de Victoria y Alberto

King Charles I, Francesco Fanelli, ca. 1635-1640

King Charles I

ca. 1635-1640 · Museo de Victoria y Alberto

Horse Drinking from a Spring, Francesco Fanelli, ca. 1635-1640

Horse Drinking from a Spring

ca. 1635-1640 · Museo de Victoria y Alberto

Charles I, after Anthony van Dyck, ca. 1750

After Anthony van Dyck

Charles I, ca. 1750

Mourning child with a skull, 1700-1720

Mourning child with a skull, 1700-1720

Mourning Child with hour glass, 1700-1720

Mourning Child with hour glass, 1700-1720

Charles II Giving Audience at Christ's Hospital, Antonio Verrio, ca. 1680

Antonio Verrio

Charles II Giving Audience at Christ's Hospital, ca. 1680

John Wilmot, Second Earl of Rochester, Peter Lely, ca. 1677

Peter Lely

John Wilmot, Second Earl of Rochester, ca. 1677

Bust, John Dwight's Fulham Pottery, ca. 1673-1675

John Dwight's Fulham Pottery

Bust, ca. 1673-1675

Portrait of Samuel Pasfield as a Child wearing the Pasfield Jewel, c.1661

Portrait of Samuel Pasfield as a Child wearing the Pasfield Jewel, c.1661

Sir William Palmer, Samuel Cooper, 1657

Samuel Cooper

Sir William Palmer, 1657

The Musicians, Caravaggio, 1597

Caravaggio

Los músicos, 1597

Museo Metropolitano de Arte

Venus and Adonis, Titian, 1550s

Titian

Venus and Adonis, 1550s

Museo Metropolitano de Arte

Mars and Venus United by Love, Paolo Veronese, 1570s

Paolo Veronese

Marte y Venus unidos por Amor, 1570s

Museo Metropolitano de Arte

Psyche Carried to Olympus, Follower of Marcantonio Raimondi after Raphael

Raphael

Psyche Carried to Olympus

No expuesta · Galería Nacional de Arte

Cupid Bound, Attributed to Raphael

Raphael

Cupid Bound

No expuesta · Galería Nacional de Arte

Dance of Cupids, Marcantonio Raimondi after Raphael, c. 1517-1520

Raphael

Dance of Cupids, c. 1517-1520

No expuesta · Galería Nacional de Arte

The Wedding Feast of Cupid and Psyche, François Perrier after Raphael, c. 1635

Raphael

The Wedding Feast of Cupid and Psyche, c. 1635

No expuesta · Galería Nacional de Arte

Venus and Cupid, Agostino dei Musi after Raphael, 1516

Raphael

Venus and Cupid, 1516

No expuesta · Galería Nacional de Arte