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  3. Six Tuscan Poets
Six Tuscan Poets, Giorgio Vasari, 1543–44
Giorgio Vasari, retratoGiorgio VasariItalia, 1511–1574

Six Tuscan Poets

1543–44 · Painting · 132.1 × 131.1 cm

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Instituto de Artes de Mineápolis

Minneapolis, Estados Unidos

SalaG341

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Comprobado
hace 3 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Sobre el cuadro

Six Tuscan Poets is an oil-on-panel painting by the Florentine visual artist and writer Giorgio Vasari, created in 1544. The poets depicted in the painting from left to right are Guittone d'Arezzo, Cino da Pistoia, Petrarch, Giovanni Boccaccio, Dante Alighieri, and Guido Cavalcanti. In 2021 it was lent to the Metropolitan Museum of Art, in New York, for the exhibition The Medici: Portraits and Politics, 1512–1570.

The work was commissioned from Vasari by the Tuscan arts patron Luca Martini.

Today the painting is in the permanent collection of the Minneapolis Institute of Art.

Wikipedia · CC BY-SA

En palabras del museo

This group portrait of six distinguished Tuscan poets and writers celebrates the golden age of Italian literature of the 14th and 15th centuries and the role these individuals in elevating literature and ennobing the language.

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Dante Alighieri (1265-1321), one of the most celebrated poets of the ages and author of the Divine Comedy, sits prominently at the table. To the left stands Francesco Petrarch (1304-1374), who holds the green volume, the book's cover decorated with a cameo portrait of a woman in profile, likely Petrarch's muse Laura. Between them is Giovanni Boccaccio (1313-75), author of the Decameron, a book begun in 1348 following the outbreak of the Black Death in Florence. At far right is Guido Cavalcanti (c. 1255-1300), a poet acclaimed for his love sonnets, although Dante, holding open a book of Virgil before him, seems to suggest he would benefit from studying the ancient Latin writer's work (a point Dante also makes in the Divine Comedy). The four 13th-century poets wear laurel crowns symbolic of their literary achievements.

Behind them to the left are two more men of letters, shown wearing fashionable 15th-century caps instead of laurel crowns. They lived a century later and thus are depicted observing the literary giants' discussion. Cristoforo Landino (1424-1498/1504), at left, was an influential Neoplatonist and scholar in Florence, who published a definitive edition of Dante's Comedy in 1481, which included an extensive commentary and illustrations. Next to him is Marsilio Ficino (1433-1499), a key figure in reviving and translating ancient Greek and Latin literature in the Renaissance.

The objects on the table represent various scholarly disciplines. The solar quadrant and celestial globe denote astronomy and astrology; the compass and terrestrial globe, geometry and geography; the books, grammar and rhetoric.

Instituto de Artes de Mineápolis

Ficha

1543–44 · a los 32 años
15111574
Número de inventario
71.24

En el catálogo

PinturaÓleoPintura italianaRenacimientoSiglo XVIItalia

Fuentes

  • Instituto de Artes de Mineápolis
  • Imagen: Instituto de Artes de Mineápolis — public domain

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