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Washington D. C., Estados Unidos
Se sabe quién es el propietario. Si hoy está expuesta, el museo no lo dice, y a adivinar no nos enseñaron.
In Self-Portrait, Malvin Gray Johnson addresses the viewer with hat in hand and a somber gaze. By placing his painting Negro Masks (1932) in the background, Johnson presents his own face as a mask among others. Collapsing foreground and background, he uses modernist techniques to assert his identity as a modernist painter.
Museo Smithsoniano de Arte Americano