Rembrandt van RijnPaíses Bajos, 1606–1669Self-portrait, Bare-headed
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Amsterdam, Países Bajos
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- Fuente
- El museo
Sobre la obra
This self-portrait of 1629, one of Rembrandt’s first, reveals his ambition and urge to experiment. He drew the image on the etching ground with coarse strokes of a two-pronged instrument, doubtless a quill pen. That he approached the copperplate as a drawing board was highly unusual. The result, incidentally, is not entirely successful, nor is the large format as yet convincing. But Rembrandt was a quick learner.
Rijksmuseum
Ficha
- Número de inventario
- RP-P-OB-723
Lo que muestra
En el catálogo
Fuentes
- Rijksmuseum
- Imagen: Rijksmuseum — public domain
En la vida de Rembrandt van Rijn
La vida entera1625–1631 · Lugar de trabajo
Leiden
1627
Own Studio with Jan Lievens
Returning to Leiden in 1627, Rembrandt opened his own studio together with Jan Lievens and began taking on pupils. Within a few years he had gained wide renown.
14 de enero de 1628 – 1631
Pupil: Gerrit Dou
1629
Meeting Constantijn Huygens
In 1629 the artist was noticed by the poet and patron Constantijn Huygens, secretary to the Prince of Orange. He helped Rembrandt connect with wealthy clients and commissioned religious paintings for the Prince of Orange.
1629–1631
Pupil: Isaac de Jouderville
1631–1669 · Lugar de trabajo
Amsterdam
