Sean ScullyEstados Unidos, 1945Santa Barbara 22
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Instituto de Artes de Mineápolis
Minneapolis, Estados Unidos
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- El museo
Sobre la obra
Painter and printmaker Sean Scully began his career in the 1960s as a proponent of Minimalism, an art movement that emphasized highly simplified linear and hard-edged geometric compositions that often concealed the artist’s hand. By the 1980s, Scully had become dissatisfied with the constraints of the cool, emotionally detached qualities of Minimalism, and sought a more lyrical and personally expressive approach. Building on the limited geometric vocabulary of his earlier work, Scully infused his later abstractions—like this monotype of 1987—with a looser, more gestural style that arose from a subtle manipulation of color, tone, texture, and the layering of forms. As a result, Scully’s abstractions took on a poetic tenor, a quality accentuated by Scully’s frequent use of place name titles.
Instituto de Artes de Mineápolis
Ficha
- Número de inventario
- 2015.120.8
En el catálogo
Fuentes
- Instituto de Artes de Mineápolis
- Imagen: Instituto de Artes de Mineápolis — © Sean Scully / Artists Rights Society (ARS), NY / IVARO, Ireland
