Saint Romuald, Fra Angelico, c. 1438-1442
Fra Angelico, retratoFra AngelicoItalia, 1400–1455

Saint Romuald

c. 1438-1442 · Painting

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¿Dónde está «Saint Romuald» hoy? Instituto de Artes de Mineápolis, G343, Minneapolis. Sí, expuesta ahora. Comprobado 29 de septiembre de 2026.

Instituto de Artes de Mineápolis

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Sobre el cuadro

Between 1438 and 1442, Fra Angelico, a Dominican friar, painted one of his most important commissions in Florence, an altarpiece for his own monastery's church, San Marco. The San Marco altarpiece was dismantled and sold in the 19th century. The central panel and predella scenes are now in the church museum, but the eight small panels of standing saints representing other monastic orders, which originally decorated side pilasters of the polyptych, were dispersed.

Saint Romuald (950-1027) founded the Camaldolese order of monks, a austere branch of the Benedictines. He is represented with a book and reed staff in the form of a cross, signifying his wisdom and strict adherence to the Christian life.

Instituto de Artes de Mineápolis

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Número de inventario
62.9

En el catálogo

Fuentes

En la vida de Fra Angelico

La vida entera
  1. 1436

    Moves to Florence, to the new convent of San Marco

    In 1436 Angelico was one of a number of friars from Fiesole who moved to the newly built convent of San Marco in Florence. This placed him at the heart of the artistic life of the region.

  2. after 1436

    The patronage of Cosimo de' Medici

    Angelico soon attracted the patronage of Cosimo de' Medici, one of the wealthiest and most powerful members of the Signoria and the founder of the Medici dynasty. Cosimo had a cell reserved for himself at the convent of San Marco as a retreat from the world and, according to Vasari, commissioned Angelico to decorate the convent with frescoes.

  3. 1436–1445

    Contacts with Florence's artistic circles

    During his years in Florence Angelico was certainly in contact with the city's three artistic circles: the school of miniaturists, the workshops of the last followers of Giotto, and a group of young sculptors and architects destined for great fame: Jacopo della Quercia, Lorenzo Ghiberti, Filippo Brunelleschi and Donatello.

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