Saint Lucy, Francisco de Zurbarán, c. 1625/1630
Francisco de Zurbarán, retratoFrancisco de ZurbaránEspaña, 1598–1664

Saint Lucy

c. 1625/1630 · Painting

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¿Dónde está «Saint Lucy» hoy? Galería Nacional de Arte, Sala 34 · Edificio Oeste, planta principal, Washington D. C. Sí, expuesta ahora. Comprobado 29 de septiembre de 2026.

Galería Nacional de Arte

Washington D. C., Estados Unidos

Sala34 · Edificio Oeste, planta principal

Cerrado· abre mañana a las 10:00

Expuesta al público.

Comprobado
En este estado desde
Fuente
El museo

Ficha

Número de inventario
1943.7.11

Lo que muestra

En el catálogo

Fuentes

En la vida de Francisco de Zurbarán

La vida entera
  1. 1614–1658 · Lugar de trabajo

    Seville

  2. 1624

    The death of his wife María Páez

    In 1624, after the birth of their third child, Zurbarán’s wife María Páez dies.

  3. 17 January 1626

    The Dominican contract: 21 paintings in eight months

    On 17 January 1626 Zurbarán signs a contract with the prior of the Dominican monastery of San Pablo el Real in Seville, agreeing to produce 21 paintings within eight months: fourteen depict the life of Saint Dominic, the others Saint Bonaventura, Saint Thomas Aquinas and the four Doctors of the Church. The commission establishes him as a painter.

  4. 29 August 1628

    The Mercedarians commission 22 paintings for their monastery

    On 29 August 1628 the Mercedarians of Seville commission Zurbarán to produce 22 paintings for their monastery. Between 1628 and 1630 he paints a cycle on Saint Peter Nolasco and a cycle on the life of Saint Bonaventura.

  5. 1629

    Invited to move to Seville

    In 1629 the Elders of Seville, whose city stands to gain from his growing reputation, invite Zurbarán to relocate there permanently. He accepts and moves with his wife Beatriz de Morales, the three children of his first marriage, a relative called Isabel de Zurbarán and eight servants.

  6. c. 1630

    Appointed painter to Philip IV

    Towards 1630 Zurbarán is appointed painter to Philip IV. There is a story that on one occasion the sovereign laid his hand on the artist’s shoulder, saying “Painter to the king, king of painters”.

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