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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
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  3. Richard von Kühlmann
Richard von Kühlmann, Max Liebermann, 1920
Max Liebermann, retratoMax LiebermannAlemania, 1847–1935

Richard von Kühlmann

1920 · Print

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Harvard Art Museums

Cambridge, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 3 días
En este estado desde
27 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1920 · a los 73 años
18471935
Número de inventario
M15538

En el catálogo

EstampasAguafuerteModernismoSiglo XXAlemania

Fuentes

  • Harvard Art Museums
  • Imagen: Harvard Art Museums — © President and Fellows of Harvard College

Mientras tanto, en la vida de Max Liebermann

La vida entera
  1. 18 January 1918

    The Max Liebermann Cabinet opens at the National Gallery

    The cabinet promised by the director Ludwig Justi opened on 18 January; the Minister of Education, Friedrich Schmidt-Ott, gave the inauguration speech.

  2. November 1918

    The November Revolution: machine guns in his house

    Monarchists installed machine guns in Liebermann's house on Pariser Platz, so revolutionary soldiers stormed the palace; when a bullet passed through the wall into the drawing room, the defenders surrendered. Liebermann brought his valuable picture collection to safety and moved with his wife into their daughter's house for a few weeks.

  3. 1920

    Elected president of the Academy of Arts

    After the war and revolution Liebermann took over the Academy and tried to unite the various currents beneath its roof, Expressionism included: under him Max Pechstein, Karl Hofer, Heinrich Zille, Otto Dix and Karl Schmidt-Rottluff were admitted. He gave it a democratic structure and a free system of education.

  4. 1920s

    Defends Otto Dix's “Trench”

    Liebermann supported Dix's emotional depiction of the horror of the world war, which was accused of being tendentious, calling it one of the most important works of the post-war period. At the same time, despite his basically tolerant views, he polemicized against Ludwig Justi, who brought Expressionists to the National Gallery.

  5. 1922

    The murder of Walther Rathenau

    The murder of his relative and companion by right-wing activists deeply disturbed Liebermann. Around then he produced lithographs for Heinrich Heine's “Rabbi von Bacharach”, numerous paintings of his garden, and drawings in memory of fallen Jewish soldiers at the front.

Más obras de Max Liebermann

Todas las obras
The Ropewalk in Edam, Max Liebermann, 1904

The Ropewalk in Edam

1904 · Museo Metropolitano de Arte

Dutch Village Scene with Hanging Laundry, Max Liebermann, 1890

Dutch Village Scene with Hanging Laundry

1890 · Harvard Art Museums

Self-Portrait, Max Liebermann

Self-Portrait

No expuesta · Galería Nacional de Arte

Hyman Marzynski, Max Liebermann

Hyman Marzynski

No expuesta · Galería Nacional de Arte

Cafe, Max Liebermann

Cafe

No expuesta · Galería Nacional de Arte

Portrait of a Man, Max Liebermann

Portrait of a Man

No expuesta · Galería Nacional de Arte

Karl Legien, Max Liebermann

Karl Legien

No expuesta · Galería Nacional de Arte

Portrait, Max Liebermann

Portrait

No expuesta · Galería Nacional de Arte

Bajo el mismo techo: Harvard Art Museums

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