Utagawa KunisadaJapón, 1786–1865Prinses Shokushi
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Amsterdam, Países Bajos
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- Fuente
- El museo
Sobre la obra
En palabras del museo — en neerlandés
Hisamatsu kijkt vanuit het raam naar zijn geliefde Osome, zittend op de veranda met hun afscheidsbrief in haar hand. Scene uit een kabukitoneelstuk. Gedicht door prinses Shokushi.
Rijksmuseum
Ficha
- Número de inventario
- RP-P-2016-3-25
Lo que muestra
En el catálogo
Fuentes
- Rijksmuseum
- Imagen: Rijksmuseum — public domain
En la vida de Utagawa Kunisada
La vida entera1820–1860
Dominance in Sumo Wrestler Portraits
From 1820 to 1860 he dominated the market for printed portraits of sumo wrestlers.
1835–1850
Monopoly on Prints Based on "The Tale of Genji"
From 1835 to 1850 he held a near-total monopoly on the genre of prints connected with "The Tale of Genji"; only after 1850 did other artists begin producing similar sheets.
mid-1840s – early 1850s
Collaboration with Hiroshige and Kuniyoshi
From the mid-1840s to the early 1850s he collaborated with Hiroshige and Kuniyoshi on three large series and a number of smaller projects; the cooperation was in large part a show of solidarity against the tightened censorship of the Tenpō reforms.
