Portrait du Comte Alphonse de Feltre, Hippolyte Delaroche, 1839
Paul Delaroche, retratoPaul DelarocheFrancia, 1797–1856

Portrait du Comte Alphonse de Feltre

1839 · Drawing · 22 × 18 cm

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En palabras del museo — en francés

Crayon noir et sanguine sur papier blanc

Museo de Bellas Artes de Nantes

Ficha

Número de inventario
1331

En el catálogo

Fuentes

En la vida de Paul Delaroche

La vida entera
  1. after 1837

    Stops exhibiting at the Salons

    After “St. Cecilia” he stops showing his work altogether: the cool reception of the painting, together with his rejection of Davidian values in French society and government, leads to a self-imposed exile from the state-sponsored Salons.

  2. 1837

    Receives the commission for “The Hemicycle”

    The École’s architect, Félix Duban, entrusts him with a monumental mural for the school’s ceremonial hall, later known as the Hémicycle. Four of his pupils assist him.

  3. 1837

    Exhibits “St. Cecilia”

    His first significant religious painting, made in 1836. The change of subject and the austere manner disappointed French critics.

  4. 1838–1843

    Works in Italy again

    He works in Italy again in 1838–1843; other accounts give two visits, in 1838 and in 1843.

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De la colección: Museo de Bellas Artes de Nantes

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