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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Pitching Quoits
Pitching Quoits, Winslow Homer, 1865
Winslow Homer, retratoWinslow HomerEstados Unidos, 1836–1910

Pitching Quoits

1865 · Painting

Sobre el cuadro

Pitching Quoits is Homer’s first large-scale painting of the Civil War. It depicts a moment of leisure in a Union encampment. The game of quoits was ordinarily played with heavy metal rings, but the soldiers here improvise with readily available horseshoes as the seated figure in the center keeps score. The red tasseled caps, blue filigreed jackets, and baggy trousers identify the soldiers as members of the 5th New York Volunteer infantry, known as Duryee’s Zouaves. The regiment derived its name and uniforms from the original Zouaves, Algerian mercenaries who gained fame fighting for the French in the Crimean War (1853–56).

Seguir leyendo

Though the regiment lost three-fifths of its ranks in a single battle in 1862, Homer does not explicitly acknowledge the atrocities of the war. With their vacant stares and static postures, the soldiers underscore the boredom of life in camp and the exhaustion experienced in the long intervals between battles.

Harvard Art Museums

Ficha

1865 · a los 29 años
18361910
Número de inventario
1940.298

Más obras de Winslow Homer

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En la misma sala · Gallery 2120, floor 2, European and American Art, 17th–19th century, Harvard Art Museums

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Harvard Art Museums

Cambridge, Estados Unidos

Sala2120, floor 2, European and American Art, 17th–19th century

Expuesta al público. Quién lo avala figura más abajo.

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27 sept 2026
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PinturaÓleoPintura estadounidenseRealismoImpresionismoSiglo XIXEstados Unidos

Fuentes

  • Harvard Art Museums
  • Imagen: Harvard Art Museums — © President and Fellows of Harvard College
The Veteran in a New Field, Winslow Homer, 1865

The Veteran in a New Field

1865 · Museo Metropolitano de Arte

The Gulf Stream, Winslow Homer, 1899; reworked by 1906

The Gulf Stream

1899; reworked by 1906 · Museo Metropolitano de Arte

Home, Sweet Home, Winslow Homer, c. 1863

Home, Sweet Home

c. 1863 · Galería Nacional de Arte

Prisoners from the Front, Winslow Homer, 1866

Prisoners from the Front

1866 · Museo Metropolitano de Arte

The Studio, Winslow Homer, 1867

The Studio

1867 · Museo Metropolitano de Arte

Coming through the Rye, Winslow Homer, 1867

Coming through the Rye

1867 · Museo Metropolitano de Arte

The Dinner Horn (Blowing the Horn at Seaside), Winslow Homer, 1870

The Dinner Horn (Blowing the Horn at Seaside)

1870 · Galería Nacional de Arte

Rainy Day in Camp, Winslow Homer, 1871

Rainy Day in Camp

1871 · Museo Metropolitano de Arte

Eternal Idol, Auguste Rodin, 1893

Auguste Rodin

Eternal Idol, 1893

The Miracle of the Sacred Fire, Church of the Holy Sepulchre, William Holman Hunt, 1892-1899

William Holman Hunt

The Miracle of the Sacred Fire, Church of the Holy Sepulchre, 1892-1899

Still Life with Bric-a-Brac, William Michael Harnett, 1878

William Michael Harnett

Still Life with Bric-a-Brac, 1878

Self-Portrait, Ford Madox Brown, 1877

Ford Madox Brown

Self-Portrait, 1877

Leander's Tower on the Bosporus, Sanford Robinson Gifford, 1876

Sanford Robinson Gifford

Leander's Tower on the Bosporus, 1876

The Apparition, Gustave Moreau, 1876-1877

Gustave Moreau

The Apparition, 1876-1877

Arab Horsemen Carrying Away Their Dead, Théodore Chassériau, 1850

Théodore Chassériau

Arab Horsemen Carrying Away Their Dead, 1850

Odalisque, Enslaved Woman, and Eunuch, Jean-Auguste-Dominique Ingres, 1839-1840

Jean-Auguste-Dominique Ingres

Odalisca con esclava, 1839-1840