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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Passe or Retiré, John Houck, 2016
JJohn HouckEstados Unidos

Passe or Retiré

2016 · Photograph

¿Se puede contemplar?

Sí, recibe visitas

Instituto de Artes de Mineápolis

Minneapolis, Estados Unidos

SalaG368

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 9 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Sobre la obra

John Houck’s half portrait of an unidentified subject twists with mischievous trickery. Multiple hands pull at the strings of black oxfords while the jeans-clad figure balances upon a curved, white backdrop. Houck’s patches of lavender and bright orange paint further distort our perception of space and bodily presence.

Instituto de Artes de Mineápolis

Ficha

Número de inventario
2017.58

Más obras de John Houck

Todas las obras

En la misma sala · G368, Instituto de Artes de Mineápolis

Página del museo

En el catálogo

FotografíaImpresión de inyecciónArte contemporáneoSiglo XXIEstados Unidos

Fuentes

  • Instituto de Artes de Mineápolis
  • Imagen: Instituto de Artes de Mineápolis — Copyright © John Houck
Peg and Jon, John Houck, 2013

Peg and Jon

2013 · No expuesta · MoMA

Variable Shadow #1, John Houck, 2014

Variable Shadow #1

2014 · No expuesta · Museo Whitney de Arte Estadounidense

Throws Left, from the series "A History of Graph Paper", John Houck, 2014

Throws Left, from the series "A History of Graph Paper"

2014 · No expuesta · Instituto de Arte de Chicago

Copper Mountain, John Houck, 2014

Copper Mountain

2014 · No expuesta · MoMA

Three Hands, Sara Cwynar, 2016

Sara Cwynar

Three Hands, 2016

Untitled (older woman sitting in bus window, hand held outside touching window), Gilles Peress, 1993

Gilles Peress

Untitled (older woman sitting in bus window, hand held outside touching window), 1993

I'm a mother and a waitress. I enjoy what I'm doing but wouldn't want to do it for a lifetime. I'm divorced and find it difficult to meet men who want to have a relationship. Someday I'd like to go back to school., Bill Owens, 1976 (printed later)

Bill Owens

I'm a mother and a waitress. I enjoy what I'm doing but wouldn't want to do it for a lifetime. I'm divorced and find it difficult to meet men who want to have a relationship. Someday I'd like to go back to school., 1976 (printed later)

Hand in Train, Staten Island, Arthur Tress, 1971 (printed 1995)

Arthur Tress

Hand in Train, Staten Island, 1971 (printed 1995)

Nursery Scholarship Fund has with a handful of women each year raised $8000 to send 40 children from disadvantaged homes to nursery school. Women's liberation generates volunteer labor, but there isn't enough money to pay for what needs to be done in the community. Tri-Valley Area, Northern California, Bill Owens, 1969–75

Bill Owens

Nursery Scholarship Fund has with a handful of women each year raised $8000 to send 40 children from disadvantaged homes to nursery school. Women's liberation generates volunteer labor, but there isn't enough money to pay for what needs to be done in the community. Tri-Valley Area, Northern California, 1969–75

Lew Alcindor, basketball player, 61st Street and Amsterdam Avenue, New York, May 2, 1963, Richard Avedon, 1963 (printed 1990)

Richard Avedon

Lew Alcindor, basketball player, 61st Street and Amsterdam Avenue, New York, May 2, 1963, 1963 (printed 1990)

[man with hands on head], Larry Clark, 1963

Larry Clark

[man with hands on head], 1963

Knees, James M. Sahlstrand, 1961

James M. Sahlstrand

Knees, 1961