David HockneyReino Unido, 1937–2026Parade
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Galería Nacional de Arte
Washington D. C., Estados Unidos
Pertenece a la colección, pero ahora mismo no está expuesta.
- Comprobado
- hace 19 horas
- En este estado desde
- 19 ago 2026
- Fuente
- Los datos de colección del propio museo
Ficha
- Número de inventario
- 1991.60.6
What it shows
En el catálogo
Fuentes
- Galería Nacional de Arte: the museum's own open data · obtenido hace 5 días
- Imagen: Galería Nacional de Arte — © the artist or rights holder
Mientras tanto, en la vida de David Hockney
La vida entera1966–1978
Stage designer: “Ubu Roi” and the Glyndebourne operas
Hockney’s first stage designs are for “Ubu Roi” at London’s Royal Court Theatre (1966), followed by Stravinsky’s “The Rake’s Progress” (1975) and “The Magic Flute” (1978) for the Glyndebourne Festival Opera. It is the start of the opera work that will go on in New York, Los Angeles, Chicago and London.
1974
The relationship with Gregory Evans begins
Hockney met Gregory Evans in 1971; in 1974 they begin a decade-long relationship, and in 1976 Evans moves with him to the US. Later they remain business partners, with Evans managing the David Hockney Studio.
1974
Jack Hazan’s film “A Bigger Splash”
Jack Hazan makes a biopic of Hockney, “A Bigger Splash”, named after his 1967 pool painting of the same name.
24 de junio de 1977 – 2 de octubre de 1977
Exhibition: Documenta 6
1979
A founder of the Museum of Contemporary Art, Los Angeles
In 1979 Hockney is a founder of the Museum of Contemporary Art, Los Angeles.
1979
Hearing aids from 1979
Hockney’s hearing has been failing since the 1970s: he realised he was going deaf several years before he began using hearing aids in 1979. He also described synaesthetic associations between sound, colour and shape.
![Scenes from the Passion of Christ: The Descent into Limbo [right panel], Andrea Vanni, 1380s](https://api.nga.gov/iiif/4205a539-eadd-4486-89a7-3cff9c1ba428/full/!2400,2400/0/default.jpg)
