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Moeder en kind aan tafel, Max Liebermann, 1857 - 1935
Max Liebermann, retratoMax LiebermannAlemania, 1847–1935

Moeder en kind aan tafel

1857 - 1935 · Print

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¿Dónde está «Moeder en kind aan tafel» hoy? Colección: Rijksmuseum, Amsterdam. Se desconoce.

Rijksmuseum

Amsterdam, Países Bajos

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Fuente
El museo
En el mapaPágina del museo

Ficha

Número de inventario
RP-P-1968-41

Lo que muestra

KitchenMother and baby or young child

En el catálogo

Estampas

Fuentes

Más obras de Max Liebermann

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The Ropewalk in Edam, Max Liebermann, 1904

The Ropewalk in Edam

1904 · Museo Metropolitano de Arte

Dutch Village Scene with Hanging Laundry, Max Liebermann, 1890

Dutch Village Scene with Hanging Laundry

1890 · Harvard Art Museums

Self-Portrait, Max Liebermann

Self-Portrait

No expuesta · Galería Nacional de Arte

Hyman Marzynski, Max Liebermann

Hyman Marzynski

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Cafe, Max Liebermann

Cafe

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Portrait of a Man, Max Liebermann

Portrait of a Man

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Karl Legien, Max Liebermann

Karl Legien

No expuesta · Galería Nacional de Arte

Portrait, Max Liebermann

Portrait

No expuesta · Galería Nacional de Arte

También en sala: Rijksmuseum

Página del museo
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

La ronda de noche, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Retrato de Maria Trip, 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

El puente de piedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Jonge vrouw in gefantaseerde kleding, Rembrandt van Rijn, 1633

Rembrandt van Rijn

Jonge vrouw in gefantaseerde kleding, 1633

Sobre el mismo tema · Kitchen

Todas las obras sobre el tema
Peter Orlovsky in his mother's house, Allen Ginsberg, 1964, printed later

Allen Ginsberg

Peter Orlovsky in his mother's house, 1964, printed later

No expuesta · Galería Nacional de Arte

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., Allen Ginsberg, 1984, printed 1994

Allen Ginsberg

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., 1984, printed 1994

No expuesta · Galería Nacional de Arte

Father Pierre Riches at kitchen table December 4, 1992, Allen Ginsberg, 1992

Allen Ginsberg

Father Pierre Riches at kitchen table December 4, 1992, 1992

No expuesta · Galería Nacional de Arte

Herbert E. Huncke age 69 retired from the street on methadone program, head tilted wise-eyed for wry conversation, about to say something charming, flattering or honest at the kitchen table New York March 1984., Allen Ginsberg, 1984

Allen Ginsberg

Herbert E. Huncke age 69 retired from the street on methadone program, head tilted wise-eyed for wry conversation, about to say something charming, flattering or honest at the kitchen table New York March 1984., 1984

No expuesta · Galería Nacional de Arte

Jello Biafra (nee Eric Boucher) head of _Dead Kennedys_ rock band, visiting New York after obscenity trial (won by hung jury) over art illustrations to his "Frankenchrist" album. "Nazi Punks Fuck Off," "Too Drunk to Fuck," and "White Punks on Dope" were early underground hits late 1970's. He was on tour, lecturing on Reagan-era censorship moves, here "rebounding from the want-ads, surprised scrutinized by Candid surveillance camera," his briefcase open in small bedroom, pens clipped to strap, old backstage tour passes posted inside. Recovering from flu, late night tea, October 6, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Jello Biafra (nee Eric Boucher) head of _Dead Kennedys_ rock band, visiting New York after obscenity trial (won by hung jury) over art illustrations to his "Frankenchrist" album. "Nazi Punks Fuck Off," "Too Drunk to Fuck," and "White Punks on Dope" were early underground hits late 1970's. He was on tour, lecturing on Reagan-era censorship moves, here "rebounding from the want-ads, surprised scrutinized by Candid surveillance camera," his briefcase open in small bedroom, pens clipped to strap, old backstage tour passes posted inside. Recovering from flu, late night tea, October 6, 1987., 1987

No expuesta · Galería Nacional de Arte

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., Allen Ginsberg, 1986, printed 1991

Allen Ginsberg

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., 1986, printed 1991

No expuesta · Galería Nacional de Arte

Ray Bremser, Jazz-bar sound-poetry genius, syncopating wow-sound word- / walloper, original N.Y. late-1950's Coffeshop bard with Kerouac & LeRoi Jones, his long-ago jail songs were noted by Bob Dylan in _The Times They are a Changin'_; at kitchen table March 15, 1987, he stayed over to read Poetry and teach my "Literary History of Beat Generation" Class Brooklyn College, come down from A.A. halfway house in Utica N.Y., rare trip to the Apple for survivor w/ big fine beard., Allen Ginsberg, 1987

Allen Ginsberg

Ray Bremser, Jazz-bar sound-poetry genius, syncopating wow-sound word- / walloper, original N.Y. late-1950's Coffeshop bard with Kerouac & LeRoi Jones, his long-ago jail songs were noted by Bob Dylan in _The Times They are a Changin'_; at kitchen table March 15, 1987, he stayed over to read Poetry and teach my "Literary History of Beat Generation" Class Brooklyn College, come down from A.A. halfway house in Utica N.Y., rare trip to the Apple for survivor w/ big fine beard., 1987

No expuesta · Galería Nacional de Arte

Kitchen window later afternoon January 23, 1987, snow melted on the sill, I never met Bill Rizzo., Allen Ginsberg, 1987

Allen Ginsberg

Kitchen window later afternoon January 23, 1987, snow melted on the sill, I never met Bill Rizzo., 1987

No expuesta · Galería Nacional de Arte