Misia à sa coiffeuse, Феликс Валлоттон, 1898
Félix Edouard Vallotton, retratoFélix Edouard VallottonFrancia, 1865–1925

Misia à sa coiffeuse

1898 · Painting · 35.9 × 29 cm

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Misia en el tocador (en el original en francés, Misia à sa coiffeuse) es un cuadro creado por el pintor suizo Félix Vallotton en 1898 con la técnica de témpera sobre cartón. La obra se conserva en el Museo de Orsay de París. ​

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  • Wikidata
  • Imagen: Museo de Orsay — Félix Vallotton · Public domain · Wikimedia Commons

En la vida de Félix Edouard Vallotton

La vida entera
  1. 1893–1897

    Woodcuts for La Revue Blanche; the Natansons' patronage

    His woodcuts brought Vallotton clients and financial security: he illustrated leading French periodicals, including La Revue Blanche, and foreign ones such as The Chap-Book of Chicago, and cut covers for theatre programmes and book illustrations. Thadée Natanson, publisher of La Revue Blanche, and his wife Misia became his patrons and introduced him to the Paris avant-garde elite — Mallarmé, Proust, Satie and Debussy.

  2. 23 January 1898

    On Dreyfus's side

    At the height of the Dreyfus affair Vallotton passionately defended the falsely accused officer; his series of satirical woodcuts, including “The Age of the Newspaper”, appeared on the front page of Le Cri de Paris. The affair divided the Nabis and was one reason the group had drifted apart by 1900.

  3. 1899

    Married: Gabrielle Bernheim

  4. 1899

    After the wedding, a flat by the Gare Saint-Lazare

    His wife, Gabrielle Rodrigues-Henriques — a widow and the daughter of the dealer Alexandre Bernheim, founder of the Galerie Bernheim-Jeune — brought three children from her first marriage into the household. After a brief honeymoon in Switzerland the couple moved into a large flat near the Gare Saint-Lazare; the marriage brought Vallotton financial security.

  5. 1900

    Becomes a French citizen

    The Swiss-born Vallotton was naturalised as a French citizen.

  6. 1900s

    Exhibitions across Europe and in Russia

    In the 1900s Vallotton's exhibitions met with triumph in Vienna, Munich, Zurich, Prague, London and Stockholm; his works were also shown in Moscow, St Petersburg, Kiev, Odessa and Amsterdam.

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