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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo Herzog Anton Ulrich/
  3. Lesendes Mädchen
Lesendes Mädchen, Angelica Kauffmann, 1770
Angelica Kauffmann, retratoAngelica KauffmannSuiza, 1741–1807

Lesendes Mädchen

1770 · Print

¿Se puede contemplar?

Se desconoce

Museo Herzog Anton Ulrich

Brunswick, Alemania

Se conoce el propietario; no se sabe si hoy está expuesta.

En este estado desde
27 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1770 · a los 29 años
17411807

Lo que muestra

LesenMädchen, junge FrauGeöffnetes BuchLibroMädchenProfil

En el catálogo

EstampasRococóNeoclasicismoSiglo XVIII

Fuentes

  • Museo Herzog Anton Ulrich
  • Imagen: Museo Herzog Anton Ulrich — CC BY-NC-SA 4.0

Mientras tanto, en la vida de Angelica Kauffmann

La vida entera
  1. 1768

    Two pictures at the Society of Artists exhibition

    In 1768, at the exhibition of the Society of Artists in London, Kauffman showed “Hector Taking Leave of Andromache” and “Penelope Taking Down the Bow of Odysseus”.

  2. December 1768

    Founding member of the Royal Academy of Arts

    In December 1768 Kauffman became one of the founding members of the Royal Academy of Arts in London, one of only two women among them.

  3. 1769

    Three pictures at the Royal Academy exhibition

    At the Academy’s exhibition of 1769 Kauffman showed “Hector Taking Leave of Andromache”, “Venus Directing Aeneas and Achates to Carthage” and “Achilles Discovered by Ulysses among the Daughters of Lycomedes”; all three were bought by the patroness Theresa Parker.

  4. 1769–1782

    An annual exhibitor at the Royal Academy

    From 1769 until 1782 Kauffman exhibited at the Royal Academy every year, sometimes sending as many as seven pictures, generally on classical or allegorical subjects.

  5. 1770s

    Engravers reproduce her pictures

    At the same time Kauffman began to work with engravers who copied her pictures for wide distribution, and she became a commercially successful artist.

  6. 1771

    Several months in Ireland

    In 1771 Kauffman spent several months in Ireland as a guest of the Lord Lieutenant, Viscount Townshend, and carried out a number of portrait commissions there; her Irish sitters included Philip Tisdall, the Attorney General for Ireland, and his wife Mary, who became her patron, and Henry Loftus, 1st Earl of Ely, with his family.

Más obras de Angelica Kauffmann

Todas las obras
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · Museo del Hermitage

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · Museo Metropolitano de Arte

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · Museo Metropolitano de Arte

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · Museo Metropolitano de Arte

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · Museo Metropolitano de Arte

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · Museo Metropolitano de Arte

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · Museo Metropolitano de Arte

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · Museo de Victoria y Alberto