
Simone LeighEstados Unidos, 1967¿Se puede contemplar?
Expuesta al público. Quién lo avala figura más abajo.
Las Meninas draws on traditions throughout global art and culture to address issues surrounding the female body, race, beauty, and community. The work’s skirted form conjures figures from the Spanish Golden Age painting Las Meninas (1656) by Diego Velazquez, apparel worn in the Afro-Brazilian religious tradition candomblé, and Mousgoum buildings in Cameroon. The white-glazed terracotta torso, alluding to sacred and secular traditions of body painting, leads to a faceless head, incorporating both figuration and abstraction.
Museo de Arte de Cleveland