La poésie, Jacopo Amigoni, 1ère moitié 18e siècle
Jacopo Amigoni, retratoJacopo AmigoniItalia, 1682–1752

La poésie

1ère moitié 18e siècle · Print

¿Puedo verla?

Se desconoce

¿Dónde está «La poésie» hoy? Colección: Musée Thomas Dobrée, Nantes. Se desconoce.

Musée Thomas Dobrée

Nantes, Francia

Se conoce el propietario; no se sabe si hoy está expuesta.

En este estado desde
Fuente
El museo

Ficha

Número de inventario
896.1.3062

Lo que muestra

En el catálogo

Fuentes

  • Musée Thomas Dobrée
  • Imagen: Musée Thomas Dobrée — © Nantes, musée Dobrée; Ministère de la Culture (France), base Joconde

En la vida de Jacopo Amigoni

La vida entera
  1. 1711

    Begins working in Germany

    In the same year he began working in Germany and collaborated with the Venetian painter Antonio Bellucci. Many offers of work at the time may have come from Giovanni Antonio Pellegrini, who was in Düsseldorf in 1713–1714.

  2. 1716–1728

    Works in Bavaria

    He worked extensively in the cities and monasteries of Bavaria, painting altarpieces for Würzburg Cathedral and pictures for the Munich Residence; in Munich the engraver Joseph Wagner became his pupil. Other accounts document him in Bavaria only from 1717 and have him back in Venice as early as 1726.

  3. 1729 or 1730

    Moves to London

    He settled in London, where he lived until 1739 apart from a trip to Paris. In portraiture he took an honoured place in the English tradition that followed Van Dyck and Peter Lely.

  4. 1734–1735

    Meets the singer Farinelli

    While he was decorating the Theatre Royal, Covent Garden, he met and befriended the celebrated castrato singer Farinelli. Other accounts place their meeting in London or on a trip to Paris in 1736.

  5. 1738

    Marries the singer Maria Antonia Marchesini

    In London he married the mezzo-soprano Maria Antonia Marchesini, known as “La Lucchesina”, who sang in Handel’s operas and oratorios.

  6. 1747

    Leaves for Madrid

    He left for Madrid: Giambattista Tiepolo was then the leading painter in Venice, and Farinelli, who held a court appointment in Spain, encouraged the move. He worked in Spain until the end of his life, mainly on commissions from King Ferdinand VI.

Todas las obras

De la colección: Musée Thomas Dobrée

Página del museo