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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Instituto de Artes de Mineápolis/
  3. La Guerre
La Guerre, Henri Rousseau, 1894 (published 1895)
Henri Rousseau, retratoHenri RousseauFrancia, 1844–1910

La Guerre

1894 (published 1895) · Print · 21.91 × 32.39 cm

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Por ahora no recibe

Instituto de Artes de Mineápolis

Minneapolis, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 9 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1894 (published 1895)
18441910
Número de inventario
P.93.21.21

En el catálogo

EstampasLitografíaImpresionismoSiglo XIXFrancia

Fuentes

  • Instituto de Artes de Mineápolis
  • Imagen: Instituto de Artes de Mineápolis — public domain

Mientras tanto, en la vida de Henri Rousseau

La vida entera
  1. 1886–1893

    Twenty paintings in seven years: ridicule and friends

    Over the next seven years Rousseau, dividing his time between work, family and painting, showed about twenty pictures at the Salon des Indépendants; the public barely noticed them and critics kept mocking them, but his friends, the Impressionist painters, supported him, valuing his spontaneity and sincerity.

  2. 1893

    Retires from the civil service to paint

    In 1893, at the age of 49, Rousseau retired from the civil service on a modest pension to devote himself entirely to painting.

  3. after 1893

    Meets Alfred Jarry

    Soon after leaving his post Rousseau met the talented young poet Alfred Jarry, who was struck by the oddity of his work and introduced him to the circle of intellectuals around the avant-garde journal Mercure de France, in whose pages a favourable review of his art appeared.

  4. 1893–1910

    A studio in Montparnasse

    In 1893 Rousseau moved to a studio in Montparnasse, where he lived and worked until his death in 1910.

  5. 1894

    “War” at the Salon des Indépendants

    “War,” shown at the 1894 Salon des Indépendants, began Rousseau’s wider fame: the picture earned praise in Mercure de France, and its powerful allegorical message convinced many connoisseurs that he was no ordinary landscape painter.

  6. after 1897

    The mayor of Laval declines “The Sleeping Gypsy”

    Believing himself an heir to the academic tradition, Rousseau offered “The Sleeping Gypsy” to the mayor of his native Laval, who declined with a sneer.

Más obras de Henri Rousseau

Todas las obras
The Repast of the Lion, Henri Rousseau, ca. 1907

The Repast of the Lion

ca. 1907 · Museo Metropolitano de Arte

The Sleeping Gypsy, Henri Rousseau, 1897

La gitana dormida

1897 · MoMA

In a Tropical Forest. Struggle between Tiger and Bull, Henri Rousseau, c. 1908

In a Tropical Forest. Struggle between Tiger and Bull

c. 1908 · Museo del Hermitage

The Banks of the Bièvre near Bicêtre, Henri Rousseau, ca. 1908–09

The Banks of the Bièvre near Bicêtre

ca. 1908–09 · Museo Metropolitano de Arte

View of the Fortifications to the left of the Gate of Vanves, Henri Rousseau, 1909

View of the Fortifications to the left of the Gate of Vanves

1909 · Museo del Hermitage

Luxembourg Gardens. Monument to Chopin, Henri Rousseau, 1909

Luxembourg Gardens. Monument to Chopin

1909 · Museo del Hermitage

The Banks of the Oise, Henri Rousseau, c. 1907

The Banks of the Oise

c. 1907 · Harvard Art Museums

Rendezvous in the Forest, Henri Rousseau, 1889

Rendezvous in the Forest

1889 · No expuesta · Galería Nacional de Arte

Bajo el mismo techo: Instituto de Artes de Mineápolis

Página del museo
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Goya atendido por el doctor Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34