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  1. Colección/
  2. Harvard Art Museums/
  3. John Winthrop (1714-1779)
John Winthrop (1714-1779), John Singleton Copley, c. 1773
John Singleton Copley, retratoJohn Singleton CopleyEstados Unidos, 1738–1815

John Winthrop (1714-1779)

c. 1773 · Painting

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Harvard Art Museums

Cambridge, Estados Unidos

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Comprobado
hace 3 días
En este estado desde
27 sept 2026
Fuente
El museo
En el mapaPágina del museo

Sobre el cuadro

John Winthrop was the Hollis Professor of Mathematics and Natural Philosophy at Harvard from 1738 to 1779. Copley depicted him holding in his hand a diagram showing the transit of Venus which he observed in 1761. The brass portable Cassegrain reflecting telescope on the table to his left was made by the London instrument maker James Short circa 1758. The telescope was Winthrop's personal property and was given to the College after his death in 1779, and is now in the University's Collection of Historical Scientific Instruments.

Harvard Art Museums

Ficha

c. 1773
17381815
Número de inventario
H113

En el catálogo

PinturaÓleoPintura estadounidenseRococóNeoclasicismoSiglo XVIIIEstados Unidos

Fuentes

  • Harvard Art Museums
  • Imagen: Harvard Art Museums — © President and Fellows of Harvard College

Mientras tanto, en la vida de John Singleton Copley

La vida entera
  1. 1753–1774 · Lugar de trabajo

    Boston

  2. June 1771 – January 1772

    A trip to New York: thirty-seven portraits

    At the invitation of Myles Cooper, president of King’s College, whose portrait Copley had painted in Boston in 1768, he sets up his easel on Broadway in New York and paints thirty-seven portraits. It is his only American tour away from Boston: most of the Southern portraits attributed to him were in fact made by Henry Benbridge.

  3. 1773

    His father-in-law is consignee of the Boston Tea Party tea

    Richard Clarke, the artist’s father-in-law, was the merchant to whom the tea that provoked the Boston Tea Party was consigned. All of Copley’s family connections were Loyalists, and at a meeting described in his letter of 1 December 1773 he defended his wife’s relatives.

  4. April 1774

    A mob at Copley’s house looks for the Loyalist Watson

    A mob comes to Copley’s house demanding Col. George Watson, a Loyalist mandamus counsellor who had gone elsewhere; the patriots threaten to have Copley’s blood if he ever again shelters such a villain. In a letter of 26 April he is appalled: had Watson stayed the night, as he had pressed him to, he would have had to give up a friend to the insult of a mob or have his house pulled down and perhaps his family murdered.

  5. June 1774

    Sails from Boston for London

    Amid growing unrest on the eve of the War of Independence, and urged on by correspondents in England, Copley sails with many letters of introduction, leaving his mother, wife and children in Henry Pelham’s charge. He never returns to America.

  6. 1774–1815 · Lugar de trabajo

    London

Más obras de John Singleton Copley

Todas las obras
Daniel Crommelin Verplanck, John Singleton Copley, 1771

Daniel Crommelin Verplanck

1771 · Museo Metropolitano de Arte

Jane Browne, John Singleton Copley, 1756

Jane Browne

1756 · Galería Nacional de Arte

Epes Sargent, John Singleton Copley, c. 1760

Epes Sargent

c. 1760 · Galería Nacional de Arte

Anne Fairchild Bowler (Mrs. Metcalf Bowler), John Singleton Copley, c. 1763

Anne Fairchild Bowler (Mrs. Metcalf Bowler)

c. 1763 · Galería Nacional de Arte

Portrait of Sarah Allen, née Sargent, John Singleton Copley, c. 1763

Portrait of Sarah Allen, née Sargent

c. 1763 · Instituto de Artes de Mineápolis

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763

Mrs. Jerathmael Bowers

ca. 1763 · Museo Metropolitano de Arte

Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), John Singleton Copley, c. 1764

Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis)

c. 1764 · Galería Nacional de Arte

Mrs. Sylvanus Bourne, John Singleton Copley, 1766

Mrs. Sylvanus Bourne

1766 · Museo Metropolitano de Arte

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