Carl Olof LarssonSuecia, 1853–1919In the Kitchen Garden
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¿Dónde está «In the Kitchen Garden» hoy? Colección: Museo Nacional de Suecia, Estocolmo. No expuesta por ahora. Comprobado 9 de octubre de 2026.
Estocolmo, Suecia
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Sobre el cuadro
The vegetable patch is bathed in sunlight. Carl Larsson’s portrayal of light is so realistic that we almost share the girl’s experience of being blinded by it. There is not much shade in this picture. That is because the sun is high in the sky, but the artist has probably also chosen to leave it out to maximize the effect of strong sunlight. The painting was made in the international artist colony in Grez-sur-Loing south of Paris, where Larsson developed his watercolour technique in 1883–1884, in lighting conditions that were different from Sweden.
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Museo Nacional de Suecia · 9 oct 2026 — hoy · Verificado
Se desconoce si estaba expuesta
Museo Nacional de Suecia · 27 sept 2026 — 9 oct 2026 · Sin confirmar
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- Museo Nacional de Suecia
- Imagen: Museo Nacional de Suecia — Public Domain Mark 1.0
En la vida de Carl Olof Larsson
La vida entera1882
From Barbizon to the Scandinavian colony at Grez-sur-Loing
After two summers in Barbizon, the refuge of the plein-air painters, in 1882 he settled for a time with his Swedish colleagues at Grez-sur-Loing, a Scandinavian artists’ colony outside Paris.
1882–1883
Meets Karin Bergöö, a turning point in his life
At Grez he met the artist Karin Bergöö, who would soon become his wife. The meeting was a turning point in his life.
1883
Marries Karin Bergöö
In 1883 he married Karin Bergöö; she also worked as an interior designer, and many of the interiors he depicted were her work.
12 de junio de 1883
Married: Karin Larsson
1884
Daughter born: Suzanne Larsson
1884–1900
Eight children, the artist’s favourite models
Carl and Karin had eight children: Suzanne (b. 1884), Ulf (1887), Pontus (1888), Lisbeth (1891), Brita (1893), Mats (1894), Kersti (1896) and Esbjörn (1900). Ulf died at eighteen and Mats at the age of two months, and the life of the family became Larsson’s chief subject.
