Medardo RossoItalia, 1859–1928Impression in an Omnibus
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¿Dónde está «Impression in an Omnibus» hoy? Colección: Instituto de Artes de Mineápolis, Minneapolis. No expuesta por ahora. Comprobado 29 de septiembre de 2026.
Minneapolis, Estados Unidos
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Sobre la escultura
Like his counterparts who were changing the face of late 19th century painting through their experimentation with Impressionism, Medardo Rosso brought a new language to sculpture. His preference was always for soft forms, made out of material that seems perpetually on the verge of dissolution. His most innovative sculptures were made out of wax - reminiscent for Minnesotans of the famous butter sculptures at the State Fair.
In fact, Rosso's sculptures often have an unstable and faintly organic quality. Looking like ghostly apparitions in the process of decay, they have sometimes been referred to as memory sculptures. Illusive, fragile, and seemingly fleeting, their sense of vulnerability evokes a particularly morbid curiosity.
Instituto de Artes de Mineápolis
Ficha
- Número de inventario
- 70.16
En el catálogo
Fuentes
- Instituto de Artes de Mineápolis
- Imagen: Instituto de Artes de Mineápolis — public domain
En la vida de Medardo Rosso
La vida entera1884–1886 · Lugar de trabajo
Paris
1886–1889 · Lugar de trabajo
Milan
1887 · Lugar de trabajo
Venice
1888 · Lugar de trabajo
London
1889–1901 · Lugar de trabajo
Paris
