Utagawa KunisadaJapón, 1786–1865Hoofdstuk 33
¿Se puede contemplar?
Se desconoce
Amsterdam, Países Bajos
Se conoce el propietario; no se sabe si hoy está expuesta.
- Fuente
- El museo
Sobre la obra
En palabras del museo — en neerlandés
Drie vrouwen in een roeiboot varend door tunnel; op de achtergrond een tweede roeiboot en landschap met bloesemende bomen. Voorstelling omsloten door bruine rand waarin Genji emblemen.
Rijksmuseum
Ficha
- Número de inventario
- RP-P-1902-A-22858
Lo que muestra
En el catálogo
Fuentes
- Rijksmuseum
- Imagen: Rijksmuseum — public domain
Mientras tanto, en la vida de Utagawa Kunisada
La vida entera1820–1860
Dominance in Sumo Wrestler Portraits
From 1820 to 1860 he dominated the market for printed portraits of sumo wrestlers.
1835–1850
Monopoly on Prints Based on "The Tale of Genji"
From 1835 to 1850 he held a near-total monopoly on the genre of prints connected with "The Tale of Genji"; only after 1850 did other artists begin producing similar sheets.
mid-1840s – early 1850s
Collaboration with Hiroshige and Kuniyoshi
From the mid-1840s to the early 1850s he collaborated with Hiroshige and Kuniyoshi on three large series and a number of smaller projects; the cooperation was in large part a show of solidarity against the tightened censorship of the Tenpō reforms.
