Head Study (after Raphael)

It is possible in this instance, however, that Carpeaux had access to Raphael's original work, a small metalpoint drawing of about 1504-5, as it had belonged to the Frenchman Jean-Baptiste Wicar (1762-1834) who bequeathed the drawing along with the rest of his superb old master collection to the museum of Lille, a city not far from Carpeaux's native Valenciennes.

Raphael's small, affecting head study, perhaps related to a work depicting St. Jerome, is imbued with intense emotion, which Raphael deftly describes in the furrowed brow, upturned eyes, and pursed lips. This undoubtedly appealed to Carpeaux, an artist celebrated for creating dramatic, forcefully expressive sculptures that broke with tradition. Interestingly, a late self-portrait by Carpeaux, an oil sketch in the Musée des Beaux-Arts, Valenciennes, resembles the Raphael drawing the artist had copied decades earlier, utilizing the same bust-length format and showing his similarly balding head in three-quarters view. Carpeaux, however, depicts himself not looking up, like Jerome, in inspiration, but instead with downcast eyes and his face in shadow, so that the artist assumes a brooding, dark presence against the light support.