Head of Jina
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Sobre la escultura
The short rows of hair show the new growth after this figure pulled out every lock by hand. Such a radical act demonstrated renunciation from a society that dictated the wearing of long hair to be covered by a turban. Since there is no protrusion at the top of the head, he can be recognized as a Jina, rather than a Buddha or other holy man. His slight smile and placid alert gaze communicate the power, bliss, and wisdom of one who has reached a state of pure knowing and liberation from delusions.
Museo de Arte de Cleveland
Ficha
- Número de inventario
- 1962.47
En el catálogo
Fuentes
- Museo de Arte de Cleveland
- Imagen: Museo de Arte de Cleveland — Museum open access
