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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Head of a Warrior
Head of a Warrior, 300-400

Head of a Warrior

300-400 · Head · 16 × 11 cm

Sobre la escultura

This head represents a Goth or Persian warrior. It may come from the sarcophagus of St Helena, mother of Emperor Constantine, which is preserved in the Vatican. Because of its purple colour, porphyry was used both for statues depicting the imperial family and for their sarcophagi.

Seguir leyendo

The site of the ancient porphyry quarries from which this stone originates, after being long lost, was discovered in the Nineteenth century by Burton and Wilkinson at Gebel Dokhan, situated in the Red Sea mountains of eastern Egypt. The purple Imperial Porphyry is found nowhere else in the world, except in these mountains (together with other types of Porphyry) and the Romans went to extraordinary lengths to acquire substantial amounts of it. The environment around the mines was harsh with little readily available water - the present day climate can reach 114 degrees Fahrenheit and there would have been no local source of food with wildlife extremely scarce. The extraction of porphyry from this inhospitable terrain was a considerable logistical feat.

The material could only be extracted in workable blocks from the tops of four mountains, from whence it was transported down narrow zig zag paths and slipways which are still preserved. On reaching the wadi bed the archaeological evidence of the transportation continues in the form of a cistern and animal lines and then a great loading ramp 8km futher on, where it is believed the the stone would be loaded on to carts for the journey to the Nile, 150km away, going via Badia on a road delineated by cairns that are still visible today. The site of the mines was explored and excavated by a team lead by Dr Peacock of Southampton University in the Imperial Porphyry Mines Project.

Museo de Victoria y Alberto

Ficha

Número de inventario
A.102-1956

En la misma sala · Medieval & Renaissance, Room 8, The William and Eileen Ruddock Gallery, Museo de Victoria y Alberto

Página del museo

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Museo de Victoria y Alberto

Londres, Reino Unido

SalaMedieval & Renaissance, Room 8, The William and Eileen Ruddock Gallery

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Lo que muestra

Heads (body part)WarriorHelmetBeardMoustache

En el catálogo

EsculturaItalia

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
Virgin and Child, ca. 1220-1230

Virgin and Child, ca. 1220-1230

Judas at the Last Supper, ca. 1200

Judas at the Last Supper, ca. 1200

The Deposition of Christ, ca. 1200

The Deposition of Christ, ca. 1200

The Ascension, ca. 1180

The Ascension, ca. 1180

Virgin and Child, 1170-80

Virgin and Child, 1170-80

Relief of Saint Peter, ca. 1160

Relief of Saint Peter, ca. 1160

Virgin and Child, ca. 1160-1180

Virgin and Child, ca. 1160-1180

Relief depicting Saint Paul, ca. 1160

Relief depicting Saint Paul, ca. 1160