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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Hartley, Alice Neel, 1966
Alice Neel, retratoAlice NeelEstados Unidos, 1900–1984

Hartley

1966 · Painting

Ficha

1966 · a los 66 años
19001984
Número de inventario
1991.143.2

Más obras de Alice Neel

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En la misma sala · EU-406-D, Galería Nacional de Arte

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Sobre el mismo tema · Seated

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Galería Nacional de Arte

Washington D. C., Estados Unidos

Sala406D · Edificio Este, nivel superior

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SeatedNeel, Hartley

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PinturaÓleoPintura estadounidenseArte de posguerraSiglo XXAmerican

Fuentes

  • Galería Nacional de Arte
  • Imagen: Galería Nacional de Arte — © the artist or rights holder
Kenneth Fearing, Alice Neel, 1935

Kenneth Fearing

1935 · MoMA

Loneliness, Alice Neel, 1970

Loneliness

1970 · Galería Nacional de Arte

Jackie Curtis and Ritta Redd, Alice Neel, 1970

Jackie Curtis and Ritta Redd

1970 · Museo de Arte de Cleveland

Andy Warhol, Alice Neel, 1970

Andy Warhol

1970 · Museo Whitney de Arte Estadounidense

The Fall of the House of Usher, Alice Neel, 1985 (Reproduced drawings executed 1927-1984)

The Fall of the House of Usher

1985 (Reproduced drawings executed 1927-1984) · No expuesta · MoMA

Well Baby Clinic, Alice Neel, 1928–29

Well Baby Clinic

1928–29 · No expuesta · Instituto de Artes de Mineápolis

Christopher Lazare, Alice Neel, 1932

Christopher Lazare

1932 · No expuesta · MoMA

Sam and Richard, Alice Neel, 1940

Sam and Richard

1940 · No expuesta · MoMA

Manhattan Landscape with Figures, Sylvia Sleigh, 1968

Sylvia Sleigh

Manhattan Landscape with Figures, 1968

George Jules Taylor, Barkley Leonnard Hendricks, 1972

Barkley L. Hendricks

George Jules Taylor, 1972

Untitled, Sylvia Plimack Mangold, 1966

Sylvia Plimack Mangold

Untitled, 1966

Stairway Landing, Lowell Nesbitt, 1969

Lowell Nesbitt

Stairway Landing, 1969

Portrait of the Doyles, Jack Beal, 1970

Jack Beal

Portrait of the Doyles, 1970

Eve, Billy Morrow Jackson, 1967

Billy Morrow Jackson

Eve, 1967

George Moore in the Artist's Garden, Edouard Manet, c. 1879

Édouard Manet

George Moore in the Artist's Garden, c. 1879

Galería Nacional de Arte

My father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old.", Allen Ginsberg, 1976, printed later

Allen Ginsberg

My father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old.", 1976, printed later

No expuesta · Galería Nacional de Arte

Untitled, Allen Ginsberg, 1964

Allen Ginsberg

Untitled, 1964

No expuesta · Galería Nacional de Arte

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", Allen Ginsberg, 1985

Allen Ginsberg

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", 1985

No expuesta · Galería Nacional de Arte

Shig Murao, up late night reading in his middle bedroom, he'd had a stroke just after mastering Shakuhachi flute, I stay in his Grant Street North Block apartment when visiting San Francisco, his front room looks down on noisy street & bars. He'd managed City Lights Bookstore, part owner, 1950s all thru the sixties, Allen Ginsberg, 1985

Allen Ginsberg

Shig Murao, up late night reading in his middle bedroom, he'd had a stroke just after mastering Shakuhachi flute, I stay in his Grant Street North Block apartment when visiting San Francisco, his front room looks down on noisy street & bars. He'd managed City Lights Bookstore, part owner, 1950s all thru the sixties, 1985

No expuesta · Galería Nacional de Arte

Robert Frank at his kitchen table, Bleeker Street house, casual visit, November 8, 1988, New York City., Allen Ginsberg, 1988, printed 1990

Allen Ginsberg

Robert Frank at his kitchen table, Bleeker Street house, casual visit, November 8, 1988, New York City., 1988, printed 1990

No expuesta · Galería Nacional de Arte

Bill Reck in his coldwater flat Lower East Side circa 1953, one of eminent Subterraneans (Vide Frity Nichols); he entered J.K.'s Book of Dreams as Dick Beck. outside his window off Bowery and East 2'd Street, a cemetery, he wrote "Love is a lime green tree," last line of poem looking out, Allen Ginsberg, 1953, printed later

Allen Ginsberg

Bill Reck in his coldwater flat Lower East Side circa 1953, one of eminent Subterraneans (Vide Frity Nichols); he entered J.K.'s Book of Dreams as Dick Beck. outside his window off Bowery and East 2'd Street, a cemetery, he wrote "Love is a lime green tree," last line of poem looking out, 1953, printed later

No expuesta · Galería Nacional de Arte

Self-Portrait on my seventieth birthday in Borsalino hat and black cashmere-silk scarf from Milan & Dublin Thornproof-tweed suit, Oleg Cassini tie from Goodwill shirt same source, kitchen window mid-day, I stayed home & worked on _Selected Poems 1947 – ’95_ proofs after returning from Walker Art Centre reading — Beat exhibition weekend. Monday, June 3, 1996, N.Y., Allen Ginsberg, 1996

Allen Ginsberg

Self-Portrait on my seventieth birthday in Borsalino hat and black cashmere-silk scarf from Milan & Dublin Thornproof-tweed suit, Oleg Cassini tie from Goodwill shirt same source, kitchen window mid-day, I stayed home & worked on _Selected Poems 1947 – ’95_ proofs after returning from Walker Art Centre reading — Beat exhibition weekend. Monday, June 3, 1996, N.Y., 1996

No expuesta · Galería Nacional de Arte