For an Eye an Eye, III

In forty years of teaching at the University of Iowa, Mauricio Lasansky played a major role in rejuvenating American interest in printmaking as a creative process. Shortly before Lasanksky's arrival in Iowa, he had his first encounter with Picasso's gigantic, ferocious painting Guernica. The experience gave him new impetus to express intense feeling in his art and to do with great immediacy. The series For an Eye an Eye, an homage to Picasso, is one of the primary fruits of that change.

For an Eye an Eye, a series of four prints, is Lasanky's first artistic reaction to the Holocaust. Though one cannot readily discern any simple, straightforward narrative in this nightmarish sequence, one has the sense of the inevitability and dehumanizing infectiousness of violence. One seemingly virtuous female figure, whose head is adorned with flowers, seems drawn into the monstrous thrall of violence.