Flamma Vestalis, Edward Burne-Jones, before 1888
Edward Burne-Jones, retratoEdward Burne-JonesReino Unido, 1833–1898

Flamma Vestalis

before 1888 · Painting

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Harvard Art Museums

Cambridge, Estados Unidos

Sala2130, floor 2, European and American Art, 17th–19th century

Expuesta al público.

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Burne-Jones’s daughter Margaret modeled for this painting. The Latin title refers to the Vestal Virgins of Rome, who tended the perpetual fire on the altar of the goddess Vesta. Begun before Margaret’s marriage in 1888, the painting aligns her with these chaste women, suggesting her innocence and purity.

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"Flamma Vestalis" remained in England until 1922, when it was purchased by New York–based collector Grenville Winthrop and given a distinctly American frame. This style of frame was designed in the 1880s by eminent architect Stanford White. The design was known as a “U-shaped grille frame” because of the shape of its ornament. Evoking gilded lattice or lace, the grille catches and refracts light so that the painting and frame seem to shimmer. "Flamma Vestalis" is unique in this gallery: it is a British painting in a famously American frame, evidence of the collector’s preference rather than that of the artist.

Harvard Art Museums

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Número de inventario
1943.190

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Fuentes

Mientras tanto, en la vida de Edward Burne-Jones

La vida entera
  1. 1886

    “The Depths of the Sea”, his only Academy showing

    Elected an Associate of the Royal Academy in 1885, he exhibited there the following year for the only time, showing “The Depths of the Sea”, a mermaid carrying down a youth she has unconsciously drowned in the impetuosity of her love.

  2. 1887–1888

    Exhibits pictures of the Perseus cycle

    One picture of “The Story of Perseus” was exhibited in 1887 and two more in 1888, together with “The Brazen Tower”, inspired by the same legend. The Perseus series was never completed.

  3. 1890

    Acclaim for the second “Legend of Briar Rose”

    The second series of “The Legend of Briar Rose” was exhibited on its own and won admiration.

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En la misma sala · Gallery 2130, floor 2, European and American Art, 17th–19th century, Harvard Art Museums

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