Angelica KauffmannSuiza, 1741–1807Figure group
¿Se puede contemplar?
Sí, recibe visitas
Londres, Reino Unido
SalaCeramics, Room 139, The Curtain Foundation Gallery
Expuesta al público.
- Comprobado
- En este estado desde
- Fuente
- El museo
Ficha
- Número de inventario
- C.274-1935
Lo que muestra
En el catálogo
Fuentes
- Museo de Victoria y Alberto
- Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
Mientras tanto, en la vida de Angelica Kauffmann
La vida entera1769–1782
An annual exhibitor at the Royal Academy
From 1769 until 1782 Kauffman exhibited at the Royal Academy every year, sometimes sending as many as seven pictures, generally on classical or allegorical subjects.
1770s
Engravers reproduce her pictures
At the same time Kauffman began to work with engravers who copied her pictures for wide distribution, and she became a commercially successful artist.
1773
Chosen to decorate St Paul’s Cathedral
In 1773 Kauffman, the only woman among the artists chosen, was appointed to decorate St Paul’s Cathedral in London, but the scheme was never carried out.
1775
The scandal over Nathaniel Hone’s “The Conjurer”
In 1775 the Academician Nathaniel Hone, a critic of Kauffman’s friendship with Reynolds, courted controversy with his satirical picture “The Conjurer”, seen as an attack on the fashion for Italian Renaissance art and a ridicule of Reynolds; the Academy rejected it, and it had originally included a nude caricature of Kauffman in one corner, which Hone painted out after she complained.
