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  3. Farming Family
Farming Family, August Sander, c. 1910
AAugust SanderAlemania, 1876–1964

Farming Family

c. 1910 · Photograph · 21.59 × 28.58 cm

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Instituto de Artes de Mineápolis

Minneapolis, Estados Unidos

SalaG365

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 9 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Sobre la obra

In the 1920s and 1930s, in his studio and around Cologne, Germany, August Sander (1876 – 1964) photographed every type of person he came across, in an attempt to capture the then-changing and diverse German society as a whole, in a project entitled “People of the 20th Century.” This endeavor is largely considered to be one of the most monumental collective portraits created in photographic history. Sander presented each of his subjects as entirely individual within their respective categories: Farmers, Workers, Women, Artists, and Urban Inhabitants as well as Handicapped people and Death Portraits. (A list of these categories is on the right.) Altogether, they present their peculiarities and unrepeatable details as well as how they are representative of a broader ‘type’ of person. Many of these portraits were published in his book Face of Our Time (1929).

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Sander captured a version of Germany that included many people who the Nazi Party considered to be “undesirable” and didn’t fit the Aryan vision that they sought to maintain. The Nazis suppressed Sander’s project and destroyed the printing block of the book, preventing him from printing additional copies. Sander and his family moved to Kuchhausen in the Westerwald region in 1942, taking with them a large portion of his archive, including many glass negatives from People of the 20th Century. During the war, his Cologne studio was bombed, but the 25, 000 to 30, 000 glass negatives he left in the cellar survived, only to be destroyed in a fire in 1946. This incident left behind approximately 11, 000 negatives and 6, 000 prints, which includes many images from People of the 20th Century.

Instituto de Artes de Mineápolis

Ficha

c. 1910
18761964
Número de inventario
2007.35.182

En el catálogo

FotografíaGelatina de plataModernismoSiglo XXAlemania

Fuentes

  • Instituto de Artes de Mineápolis
  • Imagen: Instituto de Artes de Mineápolis — © Die Photographische Sammlung/SK Stiftung Kultur – August Sander Archiv, Cologne / Artists Rights Society (ARS), New York 2017

Más obras de August Sander

Todas las obras
Bohemians [Willi Bongard and Gottfried Brockmann], August Sander, 1922-25

Bohemians [Willi Bongard and Gottfried Brockmann]

1922-25 · MoMA

Police Officer, August Sander, 1925

Police Officer

1925 · MoMA

Proletarian Intellectuals [Else Schuler, Tristan Rémy, Franz Wilhelm Seiwert, Gerd Arntz], August Sander, c. 1925

Proletarian Intellectuals [Else Schuler, Tristan Rémy, Franz Wilhelm Seiwert, Gerd Arntz]

c. 1925 · MoMA

Painter [Anton Räderscheidt], August Sander, 1926

Painter [Anton Räderscheidt]

1926 · MoMA

Girl in Fairground Caravan, August Sander, 1926-32

Girl in Fairground Caravan

1926-32 · MoMA

Member of Parliament (Democrat), August Sander, 1927

Member of Parliament (Democrat)

1927 · MoMA

Match-seller, August Sander, 1927

Match-seller

1927 · MoMA

Bricklayer, August Sander, 1928

Bricklayer

1928 · MoMA

En la misma sala · G365, Instituto de Artes de Mineápolis

Página del museo
Eternity, Deana Lawson, 2017

Deana Lawson

Eternity, 2017

Sasa, Bleecker, New York, Zanele Muholi, 2016

Zanele Muholi

Sasa, Bleecker, New York, 2016

Frédérick Douglass, Omar Victor Diop, 2015

Omar Victor Diop

Frédérick Douglass, 2015

Madame Mama Bush, Mickalene Thomas, 2012

Mickalene Thomas

Madame Mama Bush, 2012

Portrait of Qusuquzah, Mickalene Thomas, 2008

Mickalene Thomas

Portrait of Qusuquzah, 2008

Misty, Alec Soth, 2005

Alec Soth

Misty, 2005

The Reverend and Margaret's Bedroom, Vicksburg, Mississippi, Alec Soth, 2002

Alec Soth

The Reverend and Margaret's Bedroom, Vicksburg, Mississippi, 2002

Garment Register, Harriet Bart, 2001

Harriet Bart

Garment Register, 2001