Этюды голов, Parmigianino, 1525–1527
Parmigianino, retratoParmigianinoItalia, 1503–1540

Этюды голов

1525–1527 · Drawing · 19.8 × 13.5 cm

¿Puedo verla?

Se desconoce

¿Dónde está «Этюды голов» hoy? Colección: Museo Pushkin, Moscú. Se desconoce.

Museo Pushkin

Moscú, Rusia

Se conoce el propietario; no se sabe si hoy está expuesta.

En este estado desde
Fuente
El museo
Insertar

Ficha

Número de inventario
Р-6200

En el catálogo

Fuentes

  • Museo Pushkin
  • Imagen: Museo Pushkin — © Pushkin State Museum of Fine Arts

En la vida de Parmigianino

La vida entera
  1. summer 1524

    Travels to Rome with his uncles

    According to Vasari, on hearing Raphael and Michelangelo praised, Francesco longed to see Rome; his uncles approved and advised him to take some of his works to open doors to the lords and artists there. They arrived in Rome in the summer of 1524, and Parmigianino presented several paintings to Pope Clement VII, among them the “Self-Portrait in a Convex Mirror” painted on a wooden hemisphere.

  2. 1524–1527

    Joins the circle of Raphael's pupils

    In Rome Parmigianino grew close to Raphael's pupils working in the Vatican — Perino del Vaga, Baldassarre Peruzzi and Polidoro da Caravaggio — as well as Sebastiano del Piombo and Rosso Fiorentino; he copied the frescoes of Raphael's Stanze and the tapestry cartoons made for the Sistine Chapel. Vasari records that in Rome he was celebrated as “a Raphael reborn”.

  3. 1527

    The Sack of Rome finds him at work

    During the Sack of Rome by the landsknechts of Emperor Charles V, soldiers burst into the studio where Parmigianino was painting “The Vision of Saint Jerome” but harmed neither the pictures nor the artist. Soon, however, he had to abandon his lodgings and Rome, and he left the altarpiece with the church of Santa Maria della Pace.

  4. 1527

    Flees ravaged Rome for Bologna

    After the Sack of Rome Parmigianino moved to Bologna, where he spent four years by some accounts, nearly three by others. His first Bolognese work was “Saint Roch with a Donor” for the basilica of San Petronio, and here his palette grew cooler.

Todas las obras

De la colección: Museo Pushkin

Página del museo