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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Edward Albert
Edward Albert, Mathew B. Brady, 1860

Edward Albert

1860 · Photograph

Ficha

1860 · a los 37 años
18231896
Número de inventario
S/NPG.99.83

Mientras tanto, en la vida de Mathew B. Brady

La vida entera
  1. 1850s

    His eyesight begins to fail

    In the 1850s Brady’s eyesight begins to deteriorate; this may in part explain why he later rarely visited the battlefields himself and why many images in his collection are thought to be the work of his assistants.

  2. 1861

    Lincoln permits him to photograph the war

    Taken with the idea of documenting the war itself, Brady first asks his old friend General Winfield Scott, and then President Lincoln, for permission to send his photographers to the battle sites; Lincoln agrees in 1861 on condition that Brady finances the project himself. Despite the dangers, the financial risk and his friends’ discouragement, he said he simply had to go.

  3. 1861

    Under fire at Bull Run

    His first popular photographs of the conflict are taken at the First Battle of Bull Run, where he gets so close to the action that he barely avoids capture; later he comes under direct fire at Petersburg and Fredericksburg.

  4. 1861

    Hires photographers with travelling darkrooms

    He employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche and seventeen other men, giving each a travelling darkroom. Brady himself generally resides in Washington, organizing his assistants and rarely visiting the battlefields, so many images in his collection are the work of his assistants.

  5. 1861

    Offers parents portraits of departing soldiers

Más obras de Mathew B. Brady

Todas las obras

Bajo el mismo techo: Galería Nacional de Retratos

Página del museo

Sobre el mismo tema · Government

Todas las obras sobre el tema

When the Civil War begins, sales of cartes de visite to departing soldiers rise briskly; in the New-York Daily Tribune Brady runs an advertisement warning parents that it may soon be too late to capture their sons’ likenesses.

  • October 1862

    Exhibition “The Dead of Antietam”

    He opens, in his New York gallery, an exhibition of photographs of the Battle of Antietam; many of the images show corpses, a presentation new to America — the first time many Americans saw the realities of war in photographs rather than in artists’ impressions.

  • Mathew B. Brady, retratoMathew B. BradyEstados Unidos, 1823–1896

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    GNR
    Galería Nacional de Retratos

    Washington D. C., Estados Unidos

    Se conoce el propietario; no se sabe si hoy está expuesta.

    En este estado desde
    5 oct 2026
    Fuente
    El museo
    En el mapaPágina del museo

    Lo que muestra

    GovernmentInterior decorationWalesRetratoUnited KingdomCarte-de-visiteRulerHeadgear

    En el catálogo

    FotografíaCopia a la albúminaRealismoImpresionismoSiglo XIX

    Fuentes

    • Galería Nacional de Retratos
    • Imagen: Galería Nacional de Retratos — National Portrait Gallery, Smithsonian Institution (CC0)
    Untitled, Mathew B. Brady, 1860-70

    Untitled

    1860-70 · No expuesta · MoMA

    Ernestine Souvenir, Mathew B. Brady, 1860-69

    Ernestine Souvenir

    1860-69 · No expuesta · MoMA

    Untitled, Mathew B. Brady, c. 1860

    Untitled

    c. 1860 · No expuesta · MoMA

    General Ulysses S. Grant, Mathew B. Brady, 1861-65

    General Ulysses S. Grant

    1861-65 · No expuesta · MoMA

    President Lincoln, Mathew B. Brady, c. 1862

    President Lincoln

    c. 1862 · No expuesta · MoMA

    Ruins of Richmond, Mathew B. Brady, 1863-65

    Ruins of Richmond

    1863-65 · No expuesta · MoMA

    Ruins of the Gallego Flour Mills, Richmond, Virginia, Mathew B. Brady (studio of), Alexander Gardner, 1865

    Ruins of the Gallego Flour Mills, Richmond, Virginia

    1865 · No expuesta · MoMA

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia, Mathew B. Brady, April 1865

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia

    April 1865 · No expuesta · MoMA

    Robert F. Kennedy, Gardner Cox, 1968

    Gardner Cox

    Robert F. Kennedy, 1968

    Babe Ruth, Paolo Garretto, 1929

    Paolo Garretto

    Babe Ruth, 1929

    Alice Dunbar Nelson, Laura Wheeler Waring, 1927

    Laura Wheeler Waring

    Alice Dunbar Nelson, 1927

    Pauline Morton Sabin, Philip Alexius de László, 1926

    Philip Alexius de László

    Pauline Morton Sabin, 1926

    Adolph Ochs, Philip Alexius de László, 1926

    Philip Alexius de László

    Adolph Ochs, 1926

    Samuel Gompers, Moses Wainer Dykaar, 1924

    Moses Wainer Dykaar

    Samuel Gompers, 1924

    Alexander Graham Bell, Moses Wainer Dykaar, 1922

    Moses Wainer Dykaar

    Alexander Graham Bell, 1922

    Lillian D. Wald, William Valentine Schevill, 1919

    William Valentine Schevill

    Lillian D. Wald, 1919

    The Oval Office, Roy Lichtenstein, 1992

    Roy Lichtenstein

    The Oval Office, 1992

    No expuesta · Galería Nacional de Arte

    The House of Representatives, Samuel F. B. Morse, 1822, probably reworked 1823

    Samuel F. B. Morse

    The House of Representatives, 1822, probably reworked 1823

    Galería Nacional de Arte

    Farm Security Administration camp for migrant agricultural workers at Shafter, California, Dorothea Lange, June 1938

    Dorothea Lange

    Farm Security Administration camp for migrant agricultural workers at Shafter, California, June 1938

    No expuesta · Galería Nacional de Arte

    Mark, Robert Rauschenberg, 1964

    Robert Rauschenberg

    Mark, 1964

    No expuesta · Galería Nacional de Arte

    Le Ventre Législatif (The Legislative Belly), Honoré Daumier, 1834

    Honoré Daumier

    Le Ventre Législatif (The Legislative Belly), 1834

    No expuesta · Galería Nacional de Arte

    Wealth and Benefits of the Spanish Monarchy under Charles III, Giovanni Battista Tiepolo, 1762

    Giovanni Battista Tiepolo

    Wealth and Benefits of the Spanish Monarchy under Charles III, 1762

    Galería Nacional de Arte

    Roy Emerson Stryker, Gordon Parks, 1946

    Gordon Parks

    Roy Emerson Stryker, 1946

    No expuesta · Galería Nacional de Arte

    Fort Peck Dam, Montana, Margaret Bourke-White, 1936

    Margaret Bourke-White

    Fort Peck Dam, Montana, 1936

    No expuesta · Galería Nacional de Arte