
Pierre SoulagesFrancia, 1919–2022Eau-forte No. V
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¿Dónde está «Eau-forte No. V» hoy? Colección: Instituto de Artes de Mineápolis, Minneapolis. No expuesta por ahora. Comprobado 12 de octubre de 2026.
Minneapolis, Estados Unidos
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- Comprobado
- En este estado desde
- Fuente
- El museo
Sobre la obra
A prominent member of the School of Paris, French painter and printmaker Pierre Soulages is widely known for his bold minimalist abstractions composed of thick layers of black set against a light background. Using black as a primary formal element, he explores how light is reflected from the surfaces of his paintings and prints. By scraping, etching, and gouging these surfaces, he creates subtle textural variations that absorb or reflect light to varying degrees. On this effect, Soulages noted: “I like the authority of black. It’s an uncompromising color. A violent color, but one that encourages internalization. Both a color and a non-color. When light is reflected on black, it transforms and transmutes it. It opens up a mental field all of its own.” Soulages also believed that relying on more limited means resulted in a stronger expression. Eau-forte No. V is part of a large series of abstract intaglio prints Soulages produced in 1957. Characteristically, he uses gestural swashes of rich black set against a lighter background to formally evoke the desired effect of deep chiaroscuro.
Instituto de Artes de Mineápolis
Ficha
- Número de inventario
- 2012.98.2
En el catálogo
Fuentes
- Instituto de Artes de Mineápolis
- Imagen: Instituto de Artes de Mineápolis — © Pierre Soulages / Artists Rights Society (ARS), New York / ADAGP, Paris
En la vida de Pierre Soulages
La vida entera1955
“The New Decade” at the Museum of Modern Art
His works are included in the major exhibition of European artists “The New Decade: 22 European Painters and Sculptors” at the Museum of Modern Art (MoMA) in New York.
16 de julio de 1955 – 18 de septiembre de 1955
Exhibition: documenta
11 de julio de 1959 – 11 de octubre de 1959
Exhibition: Documenta II















