Don't! (or The Solid South against the Union), Thomas Nast, 1876
Thomas Nast, retratoThomas NastEstados Unidos, 1840–1902

Don't! (or The Solid South against the Union)

1876 · Print

¿Puedo verla?

No expuesta por ahora

¿Dónde está «Don't! (or The Solid South against the Union)» hoy? Colección: Harvard Art Museums, Cambridge. No expuesta por ahora. Comprobado 29 de septiembre de 2026.

Harvard Art Museums

Cambridge, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
En este estado desde
Fuente
El museo

Ficha

Número de inventario
M23242

En el catálogo

Fuentes

En la vida de Thomas Nast

La vida entera
  1. 1871–1875

    Nast’s Illustrated Almanac

    Brings his approach to the usually prosaic almanac business, publishing an annual Nast’s Illustrated Almanac; five editions appear in all.

  2. 1873–1902 · Residencia

    Thomas Nast Home

  3. 1875

    Fugitive Tweed identified from a Nast cartoon

    When Tweed tries to escape justice by fleeing to Cuba and from there to Spain, officials in Vigo identify the fugitive using one of Nast’s cartoons.

  4. 1876

    Campaign for Rutherford B. Hayes

    Opposing inflation of the currency (notably with his famous rag-baby cartoons), Nast plays an important part in securing Rutherford B. Hayes’s ultimate victory in 1876; Hayes later calls him the most powerful single-handed aid he had. Nast soon becomes disillusioned with the president, opposing his lenient policy towards the South in removing federal troops.

  5. 1877–1884

    Drawings defending Chinese immigrants

    Dozens of his drawings in favor of Chinese immigration date from this period, often implicating the Irish as instigators. He blames Senator James G. Blaine for supporting the Chinese Exclusion Act and depicts him with the same zeal used against Tweed; Nast is one of the few editorial artists who took up the cause of the Chinese in America.

  6. 1877–1884

    His standing at Harper’s Weekly fades

    After the death of publisher Fletcher Harper, who had always backed Nast in his disputes, Nast’s relationship with editor George William Curtis, who had differed with him since the late 1860s on the role of cartoons, changes; his cartoons appear less often and the magazine begins publishing the milder cartoons of William Allen Rogers. Puck also arrives in 1877; before it, Nast had no meaningful competition.

Todas las obras

También en sala: Harvard Art Museums

Página del museo