Kitagawa UtamaroJapón, 1754–1806Doeken spannen
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Amsterdam, Países Bajos
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- Fuente
- El museo
Sobre la obra
En palabras del museo — en neerlandés
Twee vrouwen, één met witte hoofddoek, de ander met loshangend haar, banen doek spannend om te drogen.
Rijksmuseum
Ficha
- Número de inventario
- RP-P-1964-807
Lo que muestra
En el catálogo
Fuentes
- Rijksmuseum
- Imagen: Rijksmuseum — public domain
En la vida de Kitagawa Utamaro
La vida entera1790–1801
Tightening censorship: seals on prints
From 1790 prints can be sold only with a censor's seal of approval; over the following decades censorship grows stricter, and violators can receive harsh punishments. From 1799 even preliminary drafts need approval, and in 1801 the works of a group of Utagawa-school offenders, including Toyokuni, are repressed.
1793
Recognition and the end of the arrangement with Tsutaya
In 1793 Utamaro achieves recognition as an artist, and his semi-exclusive arrangement with the publisher Tsutaya Jūzaburō ends. He then goes on to produce several well-known series featuring women of the Yoshiwara district, and becomes one of the few ukiyo-e artists to win fame throughout Japan in his lifetime.
1797
The death of his friend and patron Tsutaya Jūzaburō
In 1797 Utamaro's long-time friend and supporter, the publisher Tsutaya Jūzaburō, dies; the artist is apparently very upset by the loss, and some commentators feel that his work never reached its former heights afterwards. He later lives in Kyūemon-chō, then Bakuro-chō, and finally near the Benkei Bridge.
