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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo Herzog Anton Ulrich/
  3. Der bärtige Greis
Der bärtige Greis, Angelica Kauffmann, 1762
Angelica Kauffmann, retratoAngelica KauffmannSuiza, 1741–1807

Der bärtige Greis

1762 · Print

¿Se puede contemplar?

Se desconoce

Museo Herzog Anton Ulrich

Brunswick, Alemania

Se conoce el propietario; no se sabe si hoy está expuesta.

En este estado desde
27 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1762 · a los 21 años
17411807

Lo que muestra

Alter MannRetratoVarónGreisBart

En el catálogo

EstampasRococóNeoclasicismoSiglo XVIII

Fuentes

  • Museo Herzog Anton Ulrich
  • Imagen: Museo Herzog Anton Ulrich — CC BY-NC-SA 4.0

Mientras tanto, en la vida de Angelica Kauffmann

La vida entera
  1. c. 1762

    Meets Benjamin West and Johann Friedrich Reiffenstein

    In Florence Kauffman met the painters Benjamin West and Johann Friedrich Reiffenstein.

  2. c. 1762

    Florence: portraits of the English and a studio of her own

    Kauffman lingered in Florence and worked a great deal on portraits, in particular of English aristocrats visiting the city on the Grand Tour; she was given a separate studio, since working in the same room as a man was thought improper.

  3. June 1762

    Moves to Florence and meets Neoclassicism

    In June 1762 Kauffman and her family moved to Florence, where she first encountered the style that would be called Neoclassicism.

  4. October 1762

    The academies of Florence and Bologna elect her

    In October 1762 Angelica was elected a member of the Accademia delle Arti del Disegno in Florence and became an honorary member of the Accademia Clementina in Bologna.

  5. January 1763

    Meets the English community in Rome

    Moving to Rome in January 1763, Kauffman was introduced to the British community there; as she learned more English and continued with portraiture, she became a popular portraitist for British visitors to Rome.

  6. 1764

    Her portrait of Winckelmann

    In Rome Kauffman painted a half-length portrait of the art historian Johann Joachim Winckelmann and also made an etching of it; in August 1764 Winckelmann wrote to a friend about her popularity: she spoke Italian and German, handled French and English with ease, could be called beautiful, and in singing could vie with the best virtuosi.

Más obras de Angelica Kauffmann

Todas las obras
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · Museo del Hermitage

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · Museo Metropolitano de Arte

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · Museo Metropolitano de Arte

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · Museo Metropolitano de Arte

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · Museo Metropolitano de Arte

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · Museo Metropolitano de Arte

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · Museo Metropolitano de Arte

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · Museo de Victoria y Alberto