Ballet / The Star / Dancer on the Stage, 1876–1877. Dancer: Rosita Mauri.", Edgar Degas, 1870s
Edgar Degas, retratoEdgar DegasFrancia, 1834–1917

Danseuse sur la scène

1870s · Painting · 5.8 × 4.2 cm

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Museo de Orsay

París, Francia

Se conoce el propietario; no se sabe si hoy está expuesta.

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Fuente
El museo

Ficha

Número de inventario
RF 12258, Recto

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Idas y venidas

  1. Se desconoce si hoy está expuesta

    Museo de Orsay · 29 sept 2026 — hoy · Sin confirmar

  2. Se desconoce si estaba expuesta

    Museo del Louvre · 26 sept 2026 — 29 sept 2026 · Sin confirmar

Fuentes

  • Museo del Louvre
  • Imagen: Museo de Orsay — Edgar Degas · Public domain · Wikimedia Commons

Mientras tanto, en la vida de Edgar Degas

La vida entera
  1. 1870

    A volunteer in the war; a flaw in his eyesight

    When the Franco-Prussian War broke out Degas volunteered; at the first shooting practice it turned out that he saw poorly with his right eye. It was the first sign of the macular degeneration that left him almost blind at the end of his life; he was transferred to the artillery and served there to the end of the war.

  2. early 1870s

    Meets Durand-Ruel

    Degas met the dealer Durand-Ruel, later the most prominent of the trusted dealers with whom he planned his strategy at auctions.

  3. octubre de 1872 – marzo de 1873 · Residencia

    New Orleans

  4. 1873–1874

    His brother's debts: he sells his house and collection

    After his father's death Degas learned that his brother René had run up enormous business debts. To save the family's reputation he sold his house and an inherited art collection and for the first time in his life depended on sales of his own work.

  5. 1874

    The first Impressionist exhibition

    Disenchanted with the Salon, Degas joined a group of young artists organizing an independent exhibiting society. He took a leading role in organizing the eight shows of 1874–1886 and exhibited in all but one, despite constant conflicts with the group.

  6. 1881

    “The Little Dancer of Fourteen Years” on show

    The nearly life-size wax figure with real hair and a cloth tutu, modelled on Marie van Goethem, provoked a strong reaction: critics found its realism extraordinary, but many denounced the dancer as ugly. It was the only sculpture Degas showed in his lifetime.

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