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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
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  3. Cycles Perfecta
Cycles Perfecta, Alphonse Mucha, 1897
Alphonse Mucha, retratoAlphonse MuchaRepública Checa, 1860–1939

Cycles Perfecta

1897 · Print

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MB
Museo de Bretaña

Rennes, Francia

Se conoce el propietario; no se sabe si hoy está expuesta.

En este estado desde
5 oct 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1897 · a los 37 años
18601939
Número de inventario
933.0032.123 ; 13.268 (Autre N° 1)

Lo que muestra

Scène (femme, à mi-corps, bicyclette (cyclisme),style Art nouveau)

En el catálogo

EstampasLitografíaImpresionismoSiglo XIX

Fuentes

  • Museo de Bretaña
  • Imagen: Museo de Bretaña — © Prudor Gérard; Ministère de la Culture (France), base Joconde

Mientras tanto, en la vida de Alphonse Mucha

La vida entera
  1. 1 January 1895

    The “Gismonda” poster appears on the streets of Paris

    The poster, a little over two metres high, with Bernhardt as a Byzantine noblewoman under a rainbow-shaped arch almost like a halo, appeared on the streets of Paris on 1 January 1895 and caused an immediate sensation; Bernhardt ordered four thousand copies in 1895 and 1896 and gave Mucha a six-year contract.

  2. after 1 January 1895

    A contract with the printer Champenois and a new studio

    Bernhardt switched to a different printer, F. Champenois, who, like Mucha, was put under a six-year contract to work for her and gave Mucha a generous monthly salary in exchange for the rights to publish all his works. With the extra income Mucha moved to a three-bedroom apartment with a large studio in a historic house at 6 Rue du Val-de-Grâce.

  3. 1897

    Retrospective at the Salon des Cent: 448 works

    Léon Deschamps, the editor of La Plume, invited him to show at the Salon des Cent in 1896, and in 1897 the same gallery gave him a major retrospective of 448 works; the magazine La Plume devoted a special issue to him, and the exhibition travelled to Vienna, Prague, Munich, Brussels, London and New York, giving him an international reputation.

  4. January 1898

    Joins a lodge of the Grand Orient de France

    In January 1898 Mucha joined the Paris masonic lodge of the Grand Orient de France; a devoted Catholic, he was also interested in mysticism.

  5. 20 December 1899

    “Le Pater” is published

    Wishing to be recognised as a serious artist and philosopher, he gave a pictorial expression to every line of the Lord’s Prayer in a book published by Henri Piazza in an edition of only 510 copies; he considered it his printed masterpiece and said he had put his soul into it. The original watercolours were shown in the Austrian pavilion at the 1900 Exposition Universelle.

  6. c. 1899 – 1900

    A trip to the Balkans for sketches

    As soon as the project was accepted, Mucha left for the Balkans to sketch costumes, ceremonies and architecture, which he put into his work for the pavilion.

Más obras de Alphonse Mucha

Todas las obras
Maude Adams (1872–1953) as Joan of Arc, Alphonse Mucha, 1909

Maude Adams (1872–1953) as Joan of Arc

1909 · Museo Metropolitano de Arte

Napoleon Views His Rising Star, Alphonse Marie Mucha

Napoleon Views His Rising Star

No expuesta · Galería Nacional de Arte

Head of a Child, Alphonse Mucha, (n.d.)

Head of a Child

(n.d.) · No expuesta · MoMA

Job, Alfons Maria Mucha, 1860 - 1916

Job

1860 - 1916 · Rijksmuseum

Rocks on the Shore, Alphonse Mucha, n.d.

Rocks on the Shore

n.d. · No expuesta · MoMA

IMPRIMERIE CASSAN FILS; FONDEE EN 1851, Alphonse Mucha

IMPRIMERIE CASSAN FILS; FONDEE EN 1851

Albertina

Liegende Frau mit Blumen im Haar, Alphonse Mucha

Liegende Frau mit Blumen im Haar

Albertina

GISMONDA; SARAH BERNHARDT; THÉATRE DE LA RENAISSANCE, Alphonse Mucha, 1894

GISMONDA; SARAH BERNHARDT; THÉATRE DE LA RENAISSANCE

1894 · Albertina