ART WIKI32.963 en sala
MapaColecciónArtistasMuseosExposicionesRevista
Acceder

ART WIKI

Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

Secciones

  • Mapa
  • Búsqueda
  • Colección
  • Obras maestras
  • Expuestas ahora
  • Artistas

Más

  • Museos y galerías
  • Exposiciones
  • Revista
  • De dónde salen los datos
  • Privacidad y cookies
InicioMapaCatálogo
  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Choosing the Wedding Gown
Choosing the Wedding Gown, William Mulready, 1845

Choosing the Wedding Gown

1845 · Oil painting · 52.9 × 44.7 cm

Sobre el cuadro

Choosing the Wedding Gown is an oil on panel genre painting by the Irish artist William Mulready, from 1845. It illustrates a scene from Oliver Goldsmith's novel The Vicar of Wakefield. Mulready originally created the image as a frontispiece for an 1843 edition of the novel.

Such pictures based on popular literature were popular in the early Victorian era. The painting was displayed at the Royal Academy Exhibition of 1846 at the National Gallery where it was considered one of the major highlights. Today it is in the Victoria and Albert Museum having been donated as part of the Sheepshanks Gift by the art collector John Sheepshanks in 1857.

Wikipedia · CC BY-SA

En palabras del museo

Object Type

Oil paintings such as this with subjects taken from popular literature steadily replaced commissions for history paintings in the early 19th century. The public and most collectors of modern works started to prefer lighter and sometimes more sentimental themes.

Subjects Depicted

The subject is taken from the opening sentences of Oliver Goldsmith's novel 'The Vicar of Wakefield': 'I had scarce taken orders a year before I began to think seriously of matrimony, and chose my wife, as she did her wedding gown, not for a fine glossy surface, but for such qualities as would wear well.' Mulready had already provided a frontispiece for an 1843 edition of the novel - the composition on which this painting is based. It was exhibited at the Royal Academy in 1846 and was an immense success.

Más obras de William Mulready

Todas las obras

En la misma sala · British Galleries, Room 122, Museo de Victoria y Alberto

Página del museo

Sobre el mismo tema · Fabric

Todas las obras sobre el tema

People

Seguir leyendo

John Sheepshanks (1787-1863), the industrialist and collector, owned many paintings with subjects taken from well-known authors, such as Shakespeare, Chaucer and Molière. He particularly admired the work of the artist Mulready, so much so, that he bought 31 of his paintings, often at very high prices.

Museo de Victoria y Alberto

Ficha

1845 · a los 59 años
17861863
Número de inventario
FA.145[O]

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
William Mulready, retratoWilliam MulreadyReino Unido, 1786–1863

¿Se puede contemplar?

Sí, recibe visitas

Museo de Victoria y Alberto

Londres, Reino Unido

SalaBritish Galleries, Room 122

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo
Instruis l'enfant, Mulready, William, XIXe siècle (1841)

Instruis l'enfant

XIXe siècle (1841) · Museo del Louvre

The Butt: Shooting a Cherry, William Mulready, 1822-1848

The Butt: Shooting a Cherry

1822-1848 · Museo de Victoria y Alberto

A Sailing Match, William Mulready, ca. 1831

A Sailing Match

ca. 1831 · Museo de Victoria y Alberto

Interior with a Portrait of John Sheepshanks, William Mulready, 1832-1834

Interior with a Portrait of John Sheepshanks

1832-1834 · Museo de Victoria y Alberto

Giving a Bite, William Mulready, 1834

Giving a Bite

1834 · Museo de Victoria y Alberto

The Toy Seller, William Mulready, 1835

The Toy Seller

1835 · Museo de Victoria y Alberto

Brother and Sister - On Pinching the Ear, William Mulready, 1836

Brother and Sister - On Pinching the Ear

1836 · Museo de Victoria y Alberto

Open Your Mouth and Shut Your Eyes, William Mulready, ca. 1838

Open Your Mouth and Shut Your Eyes

ca. 1838 · Museo de Victoria y Alberto

Cathal and the Woodfolk, Charles Sargeant Jagger, 1914

Charles Sargeant Jagger

Cathal and the Woodfolk, 1914

Perseus, Frederick William Pomeroy, 1898

Frederick William Pomeroy

Perseus, 1898

The Greek Slave, Hiram Powers, 1862

Hiram Powers

The Greek Slave, 1862

The Sleep of Sorrow and the Dream of Joy, Raffaelle Monti, 1861

Raffaelle Monti

The Sleep of Sorrow and the Dream of Joy, 1861

Watercolour, William Godwin, ca. 1860

William Godwin

Watercolour, ca. 1860

Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Alfred Stevens

Model for the Wellington Monument in St Paul's Cathedral, 1857

Watercolour, Samuel Rayner, c. 1855

Samuel Rayner

Watercolour, c. 1855

Spring Flowers, George Smith, 1851

George Smith

Spring Flowers, 1851

Spartan Envoys (Serment des femmes), Pablo Picasso, 1934

Pablo Picasso

Spartan Envoys (Serment des femmes), 1934

No expuesta · Galería Nacional de Arte

Marie-Thérèse, as a Vestal Virgin, Watching the Sleeping Minotaur (Marie-Thérèse, en vestale, veillant le mintaoure endormi), Pablo Picasso, 1933

Pablo Picasso

Marie-Thérèse, as a Vestal Virgin, Watching the Sleeping Minotaur (Marie-Thérèse, en vestale, veillant le mintaoure endormi), 1933

No expuesta · Galería Nacional de Arte

Three Women (Les trois femmes), Pablo Picasso, 1922

Pablo Picasso

Three Women (Les trois femmes), 1922

No expuesta · Galería Nacional de Arte

The Magdalen, Master of the Die after Follower of Raphael

Raphael

The Magdalen

No expuesta · Galería Nacional de Arte

Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas), Francisco Goya, in or before 1816

Francisco de Goya

Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas), in or before 1816

No expuesta · Galería Nacional de Arte

Laundry Drying in Travemünde (Bleaching Laundry), Edvard Munch, 1904

Edvard Munch

Laundry Drying in Travemünde (Bleaching Laundry), 1904

No expuesta · Galería Nacional de Arte

The Washerwomen (Les laveuses), Paul Gauguin, 1889, published after 1900

Paul Gauguin

The Washerwomen (Les laveuses), 1889, published after 1900

No expuesta · Galería Nacional de Arte

The Betrothal of the Virgin, Albrecht Dürer, c. 1504/1505

Albrecht Dürer

The Betrothal of the Virgin, c. 1504/1505

No expuesta · Museo de Arte de Cleveland

Lo que muestra

FabricInspectionMarriageWeddingWedding dresses

En el catálogo

PinturaÓleoPintura británicaRomanticismoRealismoSiglo XIXBritish School
Victorian
Gran Bretaña