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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Château Blois, John Ruskin, 19th century
John Ruskin, retratoJohn RuskinInglaterra, 1819–1900

Château Blois

19th century · Print

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Harvard Art Museums

Cambridge, Estados Unidos

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Comprobado
hace 3 días
En este estado desde
27 sept 2026
Fuente
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En el mapaPágina del museo

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Número de inventario
FA78

En el catálogo

EstampasAguafuerteNeoclasicismoRomanticismoSiglo XIXReino Unido

Fuentes

  • Harvard Art Museums
  • Imagen: Harvard Art Museums — © President and Fellows of Harvard College

Mientras tanto, en la vida de John Ruskin

La vida entera
  1. 8 de febrero de 1819

    Born

  2. 1843

    In defence of Turner: the first volume of “Modern Painters”

    The first volume of “Modern Painters” — an answer to Turner's critics — is published by Smith, Elder & Co. under the name “A Graduate of Oxford”; Ruskin controversially argues that modern landscape painters, above all Turner, surpass “Old Masters” such as Gaspard Dughet, Claude and Salvator Rosa in “truth to nature”, moral as well as material. Reviews are mixed, but Charlotte Brontë and Elizabeth Gaskell are impressed, and the book cements Ruskin's relationship with Turner.

  3. April – July 1854

    Effie leaves Ruskin and the marriage is annulled

    Suffering from illness and from fierce quarrels with her husband and his overly protective parents, Effie goes to her own parents in Scotland; she and Millais have fallen in love, and her leaving causes a public scandal. In April 1854 she files a suit of nullity on grounds of non-consummation, which is granted in July; Ruskin does not even mention it in his diary.

  4. 1858

    Turin: Veronese against a dull sermon

    In Turin Ruskin sits through a particularly dull sermon at a Waldensian church and sees Paolo Veronese's “Presentation of the Queen of Sheba” at the Galleria Sabauda; later, in April 1877, he will name this as the start of his “unconversion” from Evangelical Christianity. His faith, long shaken by Biblical and geological scholarship, collapses, and, believing that much of his writing had rested on lies and half-truths, Ruskin goes through a deep personal crisis before returning to Christianity after a long struggle.

  5. August – November 1860

    “Unto This Last” in the Cornhill Magazine

    In four essays published in the Cornhill Magazine Ruskin rejects the division of labour as dehumanising and calls political economy a false “science” that ignores the social affections that bind communities together, but the editor, Thackeray, is forced to abandon the series by the outcry of conservative readers and a nervous publisher. The national press is hostile and his father disapproves, while Carlyle is delighted and declares that they are henceforth “a minority of two”.

  6. 20 de enero de 1900

    Died

Más obras de John Ruskin

Todas las obras
Architectural details from the Sagredo Palace, Venice, John Ruskin, 19th century

Architectural details from the Sagredo Palace, Venice

19th century · Museo de Victoria y Alberto

View of Amalfi, John Ruskin, 1844

View of Amalfi

1844 · Harvard Art Museums

Fragment of the Alps, John Ruskin, c. 1854-1856

Fragment of the Alps

c. 1854-1856 · Harvard Art Museums

Gezicht op S. Anastasia te Verona, over de Adige, John Ruskin, 1829 - 1900

Gezicht op S. Anastasia te Verona, over de Adige

1829 - 1900 · Rijksmuseum

Bergkam aan het Meer van Genève, John Ruskin, 1829 - 1900

Bergkam aan het Meer van Genève

1829 - 1900 · Rijksmuseum

The Garden of San Miniato near Florence, John Ruskin, 1845

The Garden of San Miniato near Florence

1845 · No expuesta · Galería Nacional de Arte

Tower of the Cathedral at Sens, John Ruskin, c. 1845

Tower of the Cathedral at Sens

c. 1845 · No expuesta · Galería Nacional de Arte

Ornamental Study with Acanthus Motif for "The Stones of Venice", John Ruskin, 1849

Ornamental Study with Acanthus Motif for "The Stones of Venice"

1849 · No expuesta · Galería Nacional de Arte

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