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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo Sorolla/
  3. Charla en la taberna
Charla en la taberna, Joaquín Sorolla Bastida, 1885–1899
Joaquín Sorolla, retratoJoaquín SorollaEspaña, 1863–1923

Charla en la taberna

1885–1899 · Drawing

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Museo Sorolla

Madrid, España

Se conoce el propietario; no se sabe si hoy está expuesta.

En este estado desde
27 sept 2026
Fuente
El museo
En el mapaPágina del museo

Sobre la obra

Dibujo de tres personajes masculinos que podría estar realizado en Italia o en París entre 1885-1888. Los tres hombres conversan sentados alrededor de la mesa de un café sobre la que reposan dos vasos y una botella. El de la izquierda de perfil, con bombín, sentado en una silla con las piernas cruzadas y los codos apoyados en la mesa. En el centro de la composición, un hombre sin sombrero y fumando; el de la derecha barbado, con sombrero de fieltro, de perfil y conversando mientras los otros dos le escuchan. En todos estos dibujos Sorolla estudia las actitudes de la clientela, primando la ausencia de pose y la atención al gesto espontáneo sorprendido y a la indumentaria de los personajes.

Museo Sorolla

Ficha

1885–1899
18631923

Mientras tanto, en la vida de Joaquín Sorolla

La vida entera
  1. 1885

    A four-year grant to study in Rome

    Having completed his military service, the twenty-two-year-old Sorolla received a grant from the Spanish Academy in Rome for four years of study in Italy. In Rome he was welcomed by the academy’s director, Francisco Pradilla, in whose example the young painter found stability.

  2. 1885

    Paris: his first encounter with modern painting

    A long stay in Paris gave him his first exposure to modern painting; he was especially struck by exhibitions of Jules Bastien-Lepage and Adolph von Menzel. Back in Rome he studied with José Benlliure, Emilio Sala and José Villegas Cordero.

  3. 1888

    Returns to Valencia to marry Clotilde

    Sorolla returned to Valencia to marry Clotilde García del Castillo; by 1895 they had three children — María, Joaquín and Elena.

  4. 1890

    Moves to Madrid: large canvases for the salons

    The family moved to Madrid. For the next decade Sorolla concentrated on large canvases of orientalist, mythological, historical and social subjects for salons and international exhibitions in Madrid, Paris, Venice, Munich, Berlin and Chicago.

  5. 1897

    “A Research”: the Prize of Honour in Madrid

    Two paintings linking art and science, “Portrait of Dr. Simarro at the Microscope” and “A Research”, won Sorolla the Prize of Honour at the National Exhibition of Fine Arts. He showed his friend Simarro in the laboratory, catching the contrast between the reddish-yellow light of a gas burner and the weak mauvish light from the window.

Más obras de Joaquín Sorolla

Todas las obras

De la colección: Museo Sorolla

Página del museo

Sobre el mismo tema · Café

Todas las obras sobre el tema
  • 1900

    Grand Prix at the Paris Universal Exposition

    “Sad Inheritance”, a huge canvas of crippled children bathing in the sea at Valencia under a monk’s supervision, brought Sorolla his greatest official recognition, the Grand Prix and a medal of honour, and his exhibit as a whole earned him nomination as a Knight of the Legion of Honour. After this picture he never returned to so overtly social a theme.

  • Lo que muestra

    CaféVida urbanaCostumbrismo social

    En el catálogo

    Dibujos y acuarelasImpresionismoSiglo XIX

    Fuentes

    • Museo Sorolla
    • Imagen: Museo Sorolla — In Copyright
    Before the Bullfight, Joaquin Sorolla y Bastida, c. 1900

    Before the Bullfight

    c. 1900 · Instituto de Artes de Mineápolis

    Portrait of the Painter Francesco Santoro, Rome, Joaquin Sorolla y Bastida, 1887

    Portrait of the Painter Francesco Santoro, Rome

    1887 · Instituto de Artes de Mineápolis

    The Wounded Foot, Joaquín Sorolla y Bastida, 1909

    The Wounded Foot

    1909 · Museo J. Paul Getty

    Hall of the Ambassadors, Alhambra, Granada, Joaquín Sorolla y Bastida, 1909

    Hall of the Ambassadors, Alhambra, Granada

    1909 · Museo J. Paul Getty

    Corner of the Garden, Alcazar, Sevilla, Joaquín Sorolla y Bastida, 1910

    Corner of the Garden, Alcazar, Sevilla

    1910 · Museo J. Paul Getty

    Court of the Dances, Alcázar, Sevilla, Joaquín Sorolla y Bastida, 1910

    Court of the Dances, Alcázar, Sevilla

    1910 · Museo J. Paul Getty

    Isabelita and Thor, Joaquin Sorolla y Bastida, 1893

    Isabelita and Thor

    1893 · Galería Nacional de Arte

    The Return from Fishing, Joaquín Sorolla, 1894

    The Return from Fishing

    1894 · Museo de Orsay

    María, Joaquín Sorolla Bastida, 1986

    Joaquín Sorolla

    María, 1986

    Boceto para un retrato cinegético de Alfonso XIII, Joaquín Sorolla Bastida, 1920

    Joaquín Sorolla

    Boceto para un retrato cinegético de Alfonso XIII, 1920

    Retrato de D. Rafael Calleja, Joaquín Sorolla Bastida, 1920-06

    Joaquín Sorolla

    Retrato de D. Rafael Calleja, 1920-06

    Estudio para Ayamonte. La pesca del atún, Joaquín Sorolla Bastida, 1919-05-14–1919-06-29

    Joaquín Sorolla

    Estudio para Ayamonte. La pesca del atún, 1919-05-14–1919-06-29

    En el puerto, Joaquín Sorolla Bastida, 1919-05-14–1919-06-29

    Joaquín Sorolla

    En el puerto, 1919-05-14–1919-06-29

    El Cavall Bernat por la tarde, Cala de San Vicente, Joaquín Sorolla Bastida, 1919-08-11–1919-09-10

    Joaquín Sorolla

    El Cavall Bernat por la tarde, Cala de San Vicente, 1919-08-11–1919-09-10

    El Cavall Bernat, Cala de San Vicente, Joaquín Sorolla Bastida, 1919-08-11–1919-09-10

    Joaquín Sorolla

    El Cavall Bernat, Cala de San Vicente, 1919-08-11–1919-09-10

    Barca de pesca, Joaquín Sorolla Bastida, 1919-05-14–1919-06-29

    Joaquín Sorolla

    Barca de pesca, 1919-05-14–1919-06-29

    Trieste Coffeeshop Corner Gang March 16, 1985 including Kaye MacDonough next to Jack Micheline, Nile held by Gregory Corso in front of Neeli Cherkovski and his house mate Jesse Cabrera., Allen Ginsberg, 1985

    Allen Ginsberg

    Trieste Coffeeshop Corner Gang March 16, 1985 including Kaye MacDonough next to Jack Micheline, Nile held by Gregory Corso in front of Neeli Cherkovski and his house mate Jesse Cabrera., 1985

    No expuesta · Galería Nacional de Arte

    Allen Ginsberg & Gregory Corso, Enrico's Cafe Broadway San Francisco March 16, 1985., Allen Ginsberg, 1985

    Allen Ginsberg

    Allen Ginsberg & Gregory Corso, Enrico's Cafe Broadway San Francisco March 16, 1985., 1985

    No expuesta · Galería Nacional de Arte

    Shig Murao & Dick McBride, Trieste Coffeeshop Grant Street, San Francisco March 16, 1985—Dick visiting from England., Allen Ginsberg, 1985

    Allen Ginsberg

    Shig Murao & Dick McBride, Trieste Coffeeshop Grant Street, San Francisco March 16, 1985—Dick visiting from England., 1985

    No expuesta · Galería Nacional de Arte

    Jesse Cabrera Lover & Neeli Cherkovski, Kaye MacDonough, Allen Ginsberg, Jack Micheline & friends, plateglass of Trieste Coffeeshop Grant Street San Francisco March 16, 1985, Camera snapshot by Gregory Corso's finger., Allen Ginsberg, 1985

    Allen Ginsberg

    Jesse Cabrera Lover & Neeli Cherkovski, Kaye MacDonough, Allen Ginsberg, Jack Micheline & friends, plateglass of Trieste Coffeeshop Grant Street San Francisco March 16, 1985, Camera snapshot by Gregory Corso's finger., 1985

    No expuesta · Galería Nacional de Arte

    Trieste Cafe corner Grant & Vallejo-- Neeli Cherkovski & his friend Dr. Jesse Cabrera, Gregory Corso holding son Nile, mother Kaye MacDonough behind them-- Painter daubing Trieste window- interior, morning haunt of poets & North Beach Bohemians to this day March 16, 1985., Allen Ginsberg, 1985, printed 1991

    Allen Ginsberg

    Trieste Cafe corner Grant & Vallejo-- Neeli Cherkovski & his friend Dr. Jesse Cabrera, Gregory Corso holding son Nile, mother Kaye MacDonough behind them-- Painter daubing Trieste window- interior, morning haunt of poets & North Beach Bohemians to this day March 16, 1985., 1985, printed 1991

    No expuesta · Galería Nacional de Arte

    Neeli Cherkovski & Jesse Cabrera lover doctor at his left, Nile & Gregory Corso, friends, Jack Micheline right, Trieste Coffeeshop March 16, 1985., Allen Ginsberg, 1985

    Allen Ginsberg

    Neeli Cherkovski & Jesse Cabrera lover doctor at his left, Nile & Gregory Corso, friends, Jack Micheline right, Trieste Coffeeshop March 16, 1985., 1985

    No expuesta · Galería Nacional de Arte

    Danny Kalb, Cafe Au Go Go Bleecker Street, I came by with his student my work-mate Peter Hale to hear late set, Greenwich Village, N.Y., April 12, 1995., Allen Ginsberg, 1995

    Allen Ginsberg

    Danny Kalb, Cafe Au Go Go Bleecker Street, I came by with his student my work-mate Peter Hale to hear late set, Greenwich Village, N.Y., April 12, 1995., 1995

    No expuesta · Galería Nacional de Arte

    Poet Michael & Joanna McClure, Cafe Roma a block up Columbus from City Lights Bookstore, October 11, 1984 San Francisco, Allen Ginsberg, 1984

    Allen Ginsberg

    Poet Michael & Joanna McClure, Cafe Roma a block up Columbus from City Lights Bookstore, October 11, 1984 San Francisco, 1984

    No expuesta · Galería Nacional de Arte