Anton Raphael MengsAlemania, 1728–1779Carlos III
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Se desconoce
Madrid, España
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- En este estado desde
- Fuente
- El museo
Sobre el cuadro
De más de medio cuerpo, de perfil hacia la izquierda, viste armadura, banda y fajín, y en la mano derecha la bengala de general. Sobre el pecho, el Toisón de oro, pendiente de una cinta. La cabeza se gira hacia el espectador con una sonrisa cordial. En el fondo, a la dercha, una gran cortina recogida con cordón y borlas.
Museo Lázaro Galdiano
Ficha
Lo que muestra
En el catálogo
Fuentes
- Museo Lázaro Galdiano
- Imagen: Museo Lázaro Galdiano — In Copyright
Mientras tanto, en la vida de Anton Raphael Mengs
La vida enteralate 1759
Naples: an altarpiece for Caserta and royal portraits
At the end of 1759 Mengs came to Naples to paint the altarpiece “The Presentation of the Virgin in the Temple” for the Royal Chapel at Caserta and portraits of the royal family, among them a portrait of Ferdinand I (1759). When the King of Naples left the city to take the Spanish throne in Madrid, Mengs returned to Rome.
1761
To Madrid at Charles III's invitation: working with Tiepolo
In 1761 Mengs went to Madrid at the invitation of Charles III, where together with Giovanni Battista Tiepolo he decorated the New Royal Palace and also worked at Aranjuez and La Granja; the fees of both masters at the Spanish court were unusually high. He was supported in Madrid and Rome by his friend, the Spanish diplomat and patron José Nicolás de Azara.
1761 · Lugar de trabajo
Rome
1761 · Lugar de trabajo
Madrid
1762
“Thoughts on Beauty and Taste in Painting”
The book, dedicated to Winckelmann, was among the first to formulate the principles of the “new classical style”: in place of traditional styles Mengs spoke of “taste” — high, sweet or middle — with high taste marked by the selection of the best of everything in the best proportion. Published in Zurich, it was reprinted in the author's lifetime in 1765 and 1774 and served as a textbook in many academies.
