Branches in Snow, Ansel Adams, c. 1932
Ansel Adams, retratoAnsel AdamsEstados Unidos, 1902–1984

Branches in Snow

c. 1932 · Photograph

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MoMA

Nueva York, Estados Unidos

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Comprobado
Fuente
El museo

Ficha

Número de inventario
1685.1968

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Fuentes

  • MoMA
  • Imagen: MoMA — © the artist or rights holder

Mientras tanto, en la vida de Ansel Adams

La vida entera
  1. c. 1930

    Taos: Strand, O'Keeffe, Marin, Jeffers

    Bender takes Adams to Taos, where he befriends the poet Robinson Jeffers, the artists John Marin and Georgia O'Keeffe, and the photographer Paul Strand; his first book, “Taos Pueblo,” with text by Mary Hunter Austin, is published in 1930. Strand proves especially influential: he shares the secrets of his technique, convinces Adams to pursue photography fully, and recommends glossy paper to intensify tonal values.

  2. 1931

    First solo museum exhibition at the Smithsonian

    In 1931 the Smithsonian Institution hosts Adams's first solo museum exhibition, “Pictorial Photographs of the Sierra Nevada Mountains by Ansel Adams” — sixty prints taken in the High Sierra and the Canadian Rockies. The Washington Post writes that his photographs are like portraits of giant peaks inhabited by mythical gods.

  3. 1932

    Group f/64: the de Young exhibition and manifesto

    In 1932 Adams, Imogen Cunningham and Edward Weston show together at the M. H. de Young Museum and soon form Group f/64, which stands for “pure” or “straight” photography against pictorialism. Adams writes the group's manifesto for the exhibition: pure photography, it declares, has no qualities of technique, composition or idea derived from any other art form.

  4. 1933

    Opens his own gallery in San Francisco

    Following the example of Alfred Stieglitz, Adams opens his own art and photography gallery in San Francisco in 1933. He begins publishing essays in photography magazines, and in 1935 writes his first instructional book, “Making a Photograph.”

  5. 1934

    First defines “visualization” in print

    In 1934 Adams first defines in print the concept of “visualization” — picturing each image before taking it — which becomes a core principle of his photography. With it he pursues higher quality, relying on small apertures and long exposures in natural light, as in “Rose and Driftwood” (1933).

  6. 1934

    Elected to the Sierra Club's board of directors

    In 1934 Adams is first elected to the Sierra Club's board of directors, on which he will serve for thirty-seven years; his wife also served as a director.

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