Ensor, JamesBélgica, 1860–1949Bouquet d'Arbres
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Instituto de Artes de Mineápolis
Minneapolis, Estados Unidos
Pertenece a la colección, pero ahora mismo no está expuesta.
- Comprobado
- anteayer
- En este estado desde
- 25 sept 2026
- Fuente
- Los datos de colección del propio museo
Ficha
- Número de inventario
- P.1, 033
En el catálogo
Fuentes
- Instituto de Artes de Mineápolis: the museum's own open data · obtenido hace 6 días
- Imagen: Instituto de Artes de Mineápolis — © Minneapolis Institute of Art
Mientras tanto, en la vida de Ensor, James
La vida entera1860–1949 · Lugar de trabajo
Ostend
1880s
Brief trips to France and the Netherlands
Ensor travelled very little: in the 1880s, just three brief trips to France and two to the Netherlands.
1883–1893 · Afiliación
Les XX
1887
Death of his father
His father, James Frederic Ensor, died — a scion of a wealthy English family who never found his footing in Belgium, mocked by small-town Ostend as a drunkard and failure, yet always supportive of his son's passion for art. Left the only man in the family, James felt a special responsibility for his younger sister Mariette (Mitche).
1888–1892
Turning-point years: the Passion of Christ
Ensor turned to religious themes, most often the torments of Christ, expressing through them his disgust at the inhumanity of the world; an atheist, he identified with Christ as a victim of mockery. At the height of his creative powers, between 1886 and 1891, he made 86 of his 133 etchings.
