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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Bosgezicht
Bosgezicht, Paula Modersohn-Becker, 1886 - 1907
Paula Modersohn-Becker, retratoPaula Modersohn-BeckerAlemania, 1876–1907

Bosgezicht

1886 - 1907 · Print

¿Se puede contemplar?

Se desconoce

Rijksmuseum

Amsterdam, Países Bajos

Se conoce el propietario; no se sabe si hoy está expuesta.

Fuente
El museo
En el mapaPágina del museo

Ficha

1886 - 1907
18761907
Número de inventario
RP-P-1944-2744

Lo que muestra

Forest, wood

En el catálogo

EstampasImpresionismoSiglo XIX

Fuentes

  • Rijksmuseum
  • Imagen: Rijksmuseum — public domain

Mientras tanto, en la vida de Paula Modersohn-Becker

La vida entera
  1. September 1898

    Moving to Worpswede: a pupil of Mackensen

    With her parents’ consent Paula decides to go to Worpswede: it was meant to be a short holiday trip, two weeks of drawing with Fritz Mackensen — who agreed to teach her thanks to her father’s influence — and then, in the autumn, a post as a governess in Paris. But already in September 1898 Paula settles in Worpswede for a long time.

  2. December 1899

    The first trip to Paris

    On the eve of 1900 Paula leaves for Paris, the centre of European art she had dreamed of since her Berlin studies; Clara Westhoff had gone there at the end of 1899, hoping to study with Auguste Rodin. In Germany salon art still dominated, while Paris was more open to the new.

  3. December 1899

    A savage review at the Bremen Kunsthalle

    In December 1899 two paintings Paula exhibits at the Bremen Kunsthalle are sharply criticised in a “hysterical” attack by the art critic Arthur Fitger and have to be removed during the exhibition; he was later regarded as more outraged by the inclusion of women artists in the show than by anything in the works themselves. Meanwhile her own artistic interests were shifting noticeably toward Paris, and in Worpswede, rooted in romanticised traditions of landscape, she felt increasingly alienated.

  4. 1900

    At Vollard’s: Cézanne, who struck her like a thunderstorm

    Together with Clara Westhoff Paula goes to exhibitions and galleries; Clara later recalled a visit to Ambroise Vollard, where the then unknown Paul Cézanne made an indelible impression on Paula. In a letter to Clara, Paula compared the effect of his painting to a thunderstorm.

  5. 23 February 1906

    Leaving Otto Modersohn

    On 23 February 1906 Paula leaves Worpswede and writes in her diary that she has left Otto Modersohn. It comes as a surprise to him: in letters he begs her to return, she asks him to get used to the idea that their paths have diverged, and her family accuses her of selfishness; coming to Paris for a week in June, Otto achieves nothing and goes on supporting his wife financially.

  6. 20 de noviembre de 1907

    Died

Más obras de Paula Modersohn-Becker

Todas las obras
Self-Portrait with Two Flowers in Her Raised Left Hand, Paula Modersohn-Becker, 1907

Self-Portrait with Two Flowers in Her Raised Left Hand

1907 · MoMA

Birch Tree in a Landscape, Paula Modersohn-Becker, 1899

Birch Tree in a Landscape

1899 · Harvard Art Museums

Girl in a Red Dress, Paula Modersohn-Becker, c. 1905

Girl in a Red Dress

c. 1905 · Harvard Art Museums

Bulthaupt Home with Reflection, Burgstall (Haus Bulthaupt mit Spiegelung, Burgstall), Paula Modersohn-Becker, c. 1899, printed posthumously c. 1971

Bulthaupt Home with Reflection, Burgstall (Haus Bulthaupt mit Spiegelung, Burgstall)

c. 1899, printed posthumously c. 1971 · No expuesta · MoMA

Im Schützenzelt, Paula Modersohn-Becker

Im Schützenzelt

Museo Palacio de Arte de Düsseldorf

Oude vrouw en meisje treuren bij een waterput, Paula Modersohn-Becker, 1886 - 1907

Oude vrouw en meisje treuren bij een waterput

1886 - 1907 · Rijksmuseum

Portrait of a Woman, Paula Modersohn-Becker, 1898

Portrait of a Woman

1898 · No expuesta · Galería Nacional de Arte

Half-Nude Woman Holding Her Hair Apart, Paula Modersohn-Becker, c. 1898

Half-Nude Woman Holding Her Hair Apart

c. 1898 · No expuesta · Galería Nacional de Arte

Bajo el mismo techo: Rijksmuseum

Página del museo
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

La ronda de noche, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Retrato de Maria Trip, 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

El puente de piedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634