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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo Smithsoniano de Arte Americano/
  3. Berniah Willet
Berniah Willet, John Mix Stanley, ca. 1853

Berniah Willet

ca. 1853 · Painting · 86.8 × 67.9 cm

Sobre el cuadro

In the early 1850s, John Mix Stanley had a studio on Pennsylvania Avenue in Washington, D.C., where he created these portraits of Berniah and Emeline Willet (see also 1982.104.2). The Willets lived around the corner from Stanley and often walked past his studio to get to their carpentry shop on Eleventh Street. Emeline was born in 1807 in Montpelier, Vermont, and moved to Charles Town, West Virginia, with her father before marrying Berniah and settling in Washington. Berniah was born in 1799 and was described in an old record as a “man of learning” (E. J. Noell, handwritten letter, SAAM curatorial file). These two portraits were painted to hang side by side, with Berniah and Emeline facing one another. Stanley portrayed Berniah as a distinguished gray-haired man in his fifties, in formal wear with quite a haughty expression.

Seguir leyendo

In contrast, his wife wears a less severe lace-trimmed gown and gazes directly at the viewer with a half-smile. The difference in their demeanors reflects the nineteenth-century roles of men and women---the husband as head of his household with his wife offering loving support.

Museo Smithsoniano de Arte Americano

Ficha

ca. 1853

Más obras de John Mix Stanley

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En la misma sala · Luce Foundation Center, 3rd Floor, 1B, Museo Smithsoniano de Arte Americano

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Sobre el mismo tema · Varón

Todas las obras sobre el tema
18141872
Número de inventario
1982.104.1

Fuentes

  • Museo Smithsoniano de Arte Americano
  • Imagen: Museo Smithsoniano de Arte Americano — CC0
John Mix Stanley, retratoJohn Mix StanleyEstados Unidos, 1814–1872

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Museo Smithsoniano de Arte Americano

Washington D. C., Estados Unidos

SalaLuce Foundation Center, 3rd Floor, 1B

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
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En el mapaPágina del museo
The Trapper's Cabin, John Mix Stanley, 1858

The Trapper's Cabin

1858 · Galería Nacional de Arte

Emeline Willet, John Mix Stanley, ca. 1853

Emeline Willet

ca. 1853 · Museo Smithsoniano de Arte Americano

International Indian Council (Held at Tallequah, Indian Territory, in 1843), John Mix Stanley, 1843

International Indian Council (Held at Tallequah, Indian Territory, in 1843)

1843 · Museo Smithsoniano de Arte Americano

Ko-rak-koo-kiss, a Towoccono Warrior, John Mix Stanley, 1844

Ko-rak-koo-kiss, a Towoccono Warrior

1844 · Museo Smithsoniano de Arte Americano

Osage Scalp Dance, John Mix Stanley, 1845

Osage Scalp Dance

1845 · Museo Smithsoniano de Arte Americano

Buffalo Hunt on the Southwestern Prairies, John Mix Stanley, 1845

Buffalo Hunt on the Southwestern Prairies

1845 · Museo Smithsoniano de Arte Americano

Black Knife, an Apache Warrior, John Mix Stanley, 1846

Black Knife, an Apache Warrior

1846 · Museo Smithsoniano de Arte Americano

The Trial of Red Jacket, John Mix Stanley, 1869

The Trial of Red Jacket

1869 · Museo Smithsoniano de Arte Americano

Emeline Willet, John Mix Stanley, ca. 1853

John Mix Stanley

Emeline Willet, ca. 1853

Portrait of a New York Gentleman, attributed to George Linen, ca. 1840

attributed to George Linen

Portrait of a New York Gentleman, ca. 1840

Portrait of a New York Lady, attributed to George Linen, ca. 1840

attributed to George Linen

Portrait of a New York Lady, ca. 1840

James Buchanan, Jacob Eichholtz, 1834

Jacob Eichholtz

James Buchanan, 1834

John Cockey, III, Philip Tilyard, ca. 1822-1827

Philip Tilyard

John Cockey, III, ca. 1822-1827

Mrs. John Cockey, III, Philip Tilyard, ca. 1822-1827

Philip Tilyard

Mrs. John Cockey, III, ca. 1822-1827

Mary Abigail Willing Coale, Thomas Sully, 1809

Thomas Sully

Mary Abigail Willing Coale, 1809

Portrait of a Connecticut Clockmaker's Wife, attributed to Ralph Earl, ca. 1800

attributed to Ralph Earl

Portrait of a Connecticut Clockmaker's Wife, ca. 1800

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

Vincent van Gogh

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), 1887

Museo Metropolitano de Arte

Garden at Sainte-Adresse, Claude Monet, 1867

Claude Monet

La terraza de Sainte-Adresse, 1867

Museo Metropolitano de Arte

The Musicians, Caravaggio, 1597

Caravaggio

Los músicos, 1597

Museo Metropolitano de Arte

Self-Portrait, Rembrandt van Rijn, 1660

Rembrandt van Rijn

Self-Portrait, 1660

Museo Metropolitano de Arte

Portrait of Gerard de Lairesse, Rembrandt van Rijn, 1665–67

Rembrandt van Rijn

Portrait of Gerard de Lairesse, 1665–67

Museo Metropolitano de Arte

Aristotle with a Bust of Homer, Rembrandt, 1653

Rembrandt van Rijn

Aristóteles contemplando el busto de Homero, 1653

Museo Metropolitano de Arte

Young Sailor II, Henri Matisse, 1906

Henri Matisse

Young Sailor II, 1906

Museo Metropolitano de Arte

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635

Peter Paul Rubens

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), ca. 1635

Museo Metropolitano de Arte

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