
Claude Monet probably painted this and other still lifes in 1879–80, knowing that they would be more readily marketable than his landscapes. In Apples and Grapes, however, he employed the complexity of color, light, and texture found in his most Impressionist landscapes. This is particularly evident in the extensive cloth surface—the play of light on the horizontal brushstrokes (indicating the folds in the tablecloth) recalls earlier canvases in which Monet used similar short horizontals of variegated colors to suggest water rippling in the sunlight.
Instituto de Arte de ChicagoCC BY 4.0
1878 · Lugar de trabajo
Vétheuil
17 de marzo de 1878
Son born: Michel Monet
September 1879
Death of Camille
The artist's wife Camille Doncieux died at Vétheuil; Monet painted her posthumous portrait. Her death, along with financial difficulties, weighed heavily on the artist.
1880–1881
Durand-Ruel resumes purchases
Durand-Ruel offered to handle the buying and selling of Monet's works on a permanent basis, after which the artist's fortunes rapidly improved.
diciembre de 1881 – abril de 1883 · Residencia
Villa Saint-Louis
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Chicago, Estados Unidos
Expuesta al público. Quién lo avala figura más abajo.